In the past four months, visitors to the Lopez Memorial Museum have followed the movement of The Machine of IC Jaucian, whipped out their smart phones to get data – both audio and video-- from the QR code composed by Eric Ambata, and sought to catch sound as it rippled, bounced, etc within the metal sheet of Tad Ermitaño's work. On February 11, Saturday, visitors will have an opportunity to hear from these artists in Artists' Talk. In discussing their work, Ambata, Ermitano, Jaucian will touch on the graphic take on hell and augmented realities, applications of sound, and how art comes to play in closing perceived gap between science and the imagination, and furthering both.
Tad Ermitaño trained in film and video at the Mowelfund Film Institute and currently designs and mixes sound for digital features and produces video for projection in a variety of stage/concert contexts. He is a media artist and was the sole Filipino artist exhibiting at 20th anniversary of ISEA in 2008 (Main Juried Exhibition) and the Ogaki Biennale 2006 New Media Festival. IC Jaucian is a BFA cum laude graduate of the UP College of Fine Arts. He works as exhibition coordinator of the Ateneo Art Gallery. Eric Ambata graduated from UST College of Architecture and Fine Arts where he got the medal for Best Thesis. He has worked on a variety of design projects for which he has been recognized.
The lecture is part of the Reverb which is ongoing until April 14, 2012. Reverb takes off from notions having to do with resonance, registration, and audible impressions. It brings together sound-based work from artists such as Eric Ambata, Kawayan de Guia, Tad Ermitaño, IC Jaucian, Diokno Pasilan, Ronald Tomas, the collaborative, E.X.I.S.T. (Experimentation in Sound Art Tradition), and UP College of Music ethnomusicologist Dr. Christine Muyco. The Lopez Memorial Museum is at the ground floor, Benpres Building, Exchange Road corner Meralco Avenue, Pasig City. Museum days and hours are Mondays-Saturdays, 8am-5pm, except holidays. For details pls call 6359545.
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