Know the latest news, events and other happenings in Philippine art and culture scene! Here you can find updates on Filipino art exhibits, film festivals, cultural summit, Philippine art contests and other events. Announcements of forthcoming events may be sent to philippineartscene@yahoo.com. This site is dedicated for Filipino artists, art aficionados and the public at large in the Philippines and other parts of the world!

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Showing posts with label national commission for culture and the arts. Show all posts
Showing posts with label national commission for culture and the arts. Show all posts

Thursday, December 10, 2015

Museum Networking Forum - Protect Your Buildings: Risk Management Principles and Technologies

Protect Your Buildings:
Risk Management Principles and Technologies




Presented by Ibrahim Mirmahmutoğullari
December 12, Saturday, 10 a.m.

This special presentation introduces museum professionals and heritage architects to the principles of and new technology preventing building hazards such as salt, corrosion, and mold. It is also an opportunity for attendees to learn more about the goods and services of Mirline, a Turkish brand of cutting-edge building technologies for museums and heritage sites.

About Ibrahim Mirmahmutoğullari 

To present this new technology is Mr. Ibrahim Mirmahmutoğullari, a mechanical engineer with over 30 years of experience in technology and research & development. He is also the chairman of parent company Mir Holdings (of which Mir Unique Solutions is a subsidiary) and the Suppliers and Manufacturers of Turkey.

This special talk is presented by Yuchengco Museum under its Museum Networking Forum series in partnership with the National Committee of Museums (NCOM) of the National Commission for Culture and the Arts (NCCA) and the Alliance of Greater Manila Area Museums (AGMAM). The new program brings museum and heritage professionals and other stakeholders together to discuss best practices and learn more about new industry-specific products and services.

Talk is free of charge, but reservations are required.
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Thursday, August 20, 2015

Veteran Actor Gloria Sevilla Headlines Cinema Rehiyon 7 Opening In Cebu

Veteran actor Gloria Sevilla is expected to grace the opening of Cinema Rehiyon 7 film festival on August 6, 2015, at the SM City Cebu Cinemas in Cebu City, Cebu. She will be joined by fellow Cebuano actors including Pilar Pilapil, Suzette Ranillo, Julian Daan and Undo Juizan, the first Cebuano FAMAS Best Child Actor awardee (for the film Salingsing sa Kasakit).


A flagship project of the National Commission for Culture and the Arts’ (NCCA) National Committee on Cinema (NCC), headed by filmmaker William Mayo, Cinema Rehiyon is a film festival that features the works of Filipino filmmakers from all over the Philippines, especially outside of Metro Manila, raising awareness on the efforts on and progress of filmmaking in the different regions. Now on its seventh year, Cinema Rehiyon provides a platform for these films, most of which in local languages and showing culturally-rooted narratives, to be exhibited and appreciated by a wider audience, and for the filmmakers to interact with other filmmakers and stakeholders.

Cinema Rehiyon has been a major part of the Philippine Arts Festival, NCCA’s celebration of the National Arts Month every February. The first two years of Cinema Rehiyon was held at the Cultural Center of the Philippines in Pasay City. Since 2011, it was held in different parts of the country—Davao City in 2011; Bacolod City, Negros Occidental, in2012; Los Banos, Laguna, in 2013; and Cagayan de Oro City in 2014.

This year with the theme “At the Crossroads of the Seventh Art,” Cinema Rehiyon will be held in Cebu from August 6 to 9, 2015, highlights Cebuano films, cognizant of the fact that Cebu is the second largest film-producing region in the country after Metro Manila, especially during the 1950s and 1960s.

“Cebu has a unique situation. A local industry sprung from the province around 1932 to 1975. Also, there is a resurgence of a new breed of Cebuano filmmakers,” shares NCC vice head Teddy Co.


The opening film is the classic Cebuano film Badlis sa Kinabuhi, first shown in April 1969. Long thought to be “lost,” Badlis sa Kinabuhi, directed by Leroy Salvador and written by Junipher, stars Gloria Sevilla, Mat Ranillo Jr., Felix De Catalina, Danilo Nuñez, Aurora Villa, Siux Cabase, Frankie Navaja, Jr. and Remedios Atillio Alivio. It won best film at the Filipino Academy of Movie Arts and Sciences (FAMAS) Awards in 1969, and best actress (for Sevilla), best child actor (for Navaja) and best film in black and white at the 1969 Asian Film Festival in Jakarta, Indonesia.

Badlis sa Kinabuhi follows the story of Celia (Sevilla), who is forced to work for his harsh stepfather Simon, when she, her husband Doming (Ranillo) and her young son Lito (Navaja) have fallen into hard times. Rumors begin to circulate that Celia and Simon is having an affair. Simon tries to rape Celia but Lito intervenes. Celia snaps when she sees Simon shoving away her son, and kills him with a bolo. Doming arrives. Seeing Celia naked, he chooses to believe the rumors and banishes Celia. Celia is about to be sentenced in court for the murder of Simon, when Lito, who is unable to speak because of trauma, finally speaks up and recounts the incident. Celia is acquitted and reunited with her husband.

Sevilla, who produced the film with Ranillo, will be given the Hara Humamay Award by the Cebuano Cinema Development Council during Cinema Rehiyon 7. Widely considered as the Queen of Visayan Movies, she, together with Ranillo, has produced and acted together in a number of notable Cebuano films. In 1973, her film Gimingaw Ako (I Miss You) was the first movie from the Philippines to be shown at Moscow International Film Festival in Russia. She won the FAMAS Best Actress award the following year for the movie together with daughter Suzette Ranillo, who won Best Supporting Actress. She received her first FAMAS Award as Best Supporting Actress in the movie Madugong Paghihiganti (1962). FAMAS gave her a Lifetime Achievement Award in 2007. Sevilla is still active in Philippine film and television. Most recently, she won New Wave Best Supporting Actress award at the 40th Metro Manila Film Festival in 2014 for the movie, Mother’s Maiden Name.

On the other hand, Mat Ranillo Jr., known as the King of Visayan Movies, will be honored with the Rajah Humabon Award. A lawyer, Ranillo died in a plane crash in 1969 and was posthumously given an award at the 1969 FAMAS Awards.

Their movie, Badlis sa Kinabuhi joins select regional films, 17 in all, in showings at the SM City Cebu Cinemas, Cine Orientes 1 and 2, and Film and Media Arts Academy (FMA) Mini Theatre. Films are clustered into thematic categories. One example is a category delving on the aftermaths of super typhoon Haiyan or Yolanda, and it includes T.M. Malones’ Dapya Sang Paglaum, Charena Escala and Rowena Sanches’ documentary Nick and Chai, and Thomas Fitzgerald’s Tigdong.

Films focusing on indigenous traditions are also included in the line up. Among them are Nef Luczon’s documentary on the Pan-ay Bukidnon group titled Father Said, “Let’s Return Home”; Lester del Valle’s Walang Rape sa Bontok; Adjani Arumpac’s War is A Tender Thing; and Ivy Universe Baldosa’s Marciano. A notable work is Boyong and Sendong’s Busol: The Last Headhunters, which is regarded to be an “indigenous film,” produced by and for the Cordilleran communities.

Other notable films to be shown are Remton Zuasola’s Soap Opera, which serves as the festival’s pre-opening film; Baby Ruth Villarama’s Little Azkals; Bagane Fiola’s Sonata Maria; John Paul Laxamana’s Magkakabaung; Lemuel Lorca’s Mauban: Ang Resiko; Charliebeb Gohetia’s Chasing the Waves; and Alec Figuracion’s Bitukang Manok, a product of an all-Cebuano crew from the boutique film school International Academy of Film and Television.

Kidlat Tahimik’s Balikbayan #1: Memories of Overdevelopment Redux III closes the festival of the best regional films. Said to be the prominent filmmaker’s tribute to pre-Hispanic Cebuano, the film follows Enrique of Malacca, a Visayan slave brought by Portuguese navigator Ferdinand Magellan considered to be possibly the first man to circumnavigate the world. Tahimik stars as Enrique with George Steinberg, Kawayan de Guia, Wigs Tysman, Katrin de Guia, Kabunyan de Guia and Danny Orquico.

Balikbayan #1 won the Caligari Film Prize at the 65th Berlin International Forum of New Cinema alst February. The work was also screened and well-received in other international festivals such as the Singaporean Biennale and the 39th Hong Kong International Film Festival in April.

Aside from the full-length feature films, there will also be screenings of contemporary Cebuano short films at the FMA Mini Theater, on August 7 and 8, from 1 to 6 PM. There are about 50 titles to be screened including Rommel Ruiz’s “Nangisit nga Darag” (Black Sand) from Cagayan Valley; “Red Lights” by Cebu’s Christian Paulo Lat; and “The End of War” by Ozamis City-based Jo Bacus.

There will also be outreach screenings in select venues, outdoor screenings as well as a special viewing of National Artist Lamberto Avellana’s rarely seen works. Cinema Rehiyon 7 also features fora and discussions on subjects such as “Re-imagining Regional Cinema,” “The Regional as the Other in Cinema,” “Getting the World to See Youth Film” and “Film as Heritage.”

The NCCA is led by its chairman Felipe M. de Leon Jr. and OIC-executive director Adelina M. Suemith. Cinema Rehiyon is made possible by NCC head William Mayo, NCC vice-head Teddy Co, festival director Maria Victoria Beltran and other NCCA-NCC members.

For more details, please contact Ms. Bambi Beltran, Festival Director for Cinema Rehiyon 7, through 09471763343 or email your concerns to bambibeltran@gmail.com or Mr. Rene Napeñas, Head of the Public Affairs and Information Office, through 09285081057, 527-2192 loc 208 or through email address ncca.paio@gmail.com.

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Friday, October 17, 2014

Dayaw Festival in Baguio Highlights Northern Philippines Indigenous Cultures

The National Commission for Culture and the Arts (NCCA), the prime government agency for arts and culture headed by its chairman Felipe M. De Leon Jr., will be holding the Luzon leg of its Dayaw 2014: The Indigenous Peoples Festival, touted to be biggest gathering of Philippine indigenous peoples, from October 22 to 23, 2014, in Baguio City.



The two-day festival will feature forums on issues and concerns of the indigenous peoples; demonstrations of traditional crafts and cuisines; recognition of cultural masters; an exhibit of photographs and crafts; and outreach performances of ethnic songs and dances.

The Dayaw Festival in Baguio is organized by the NCCA, the Negros Cultural Foundation, Inc. and the city government of Baguio in partnership with the Department of Tourism - Cordillera Administrative Region (DOT-CAR), the provincial government of Benguet, the Philippine Information Agency (PIA-CAR), SM City Baguio, Onjon ni Ivadoy Association, the University of the Philippines Baguio and the Benguet State University.

It will be participated in by indigenous groups of northern Philippines including Gaddang, Isinay, Tinggian, Itneg, Ibanag, Yogad, Itawit, Malaweg, Kasiguran, Ivatan, Itbayat, Bugkalot, Isnag, Kalinga, Ifugao, Ibaloi, Kankanaey, Balangao, Bontok, Applai, Ilocano, Bolinao, Pangasinan, Tagalog, Sambal, Pampangan, Ayta, Agta, Mangyan, Palawani, Molbog, Jama Mapun, Tagbanua, Pala’wan, Agutaynen, Bicolano, Batak and Cuyunon.


The Balangao of Mountain Province

The Baguio celebration is part of the nationwide celebration of Dayaw 2014: The Indigenous Peoples Festival, which will have events in the Visayas and Mindanao.

Organized by NCCA’s Subcommission on Cultural Communities and Traditional Arts (SCCTA), headed by commissioner Al-Anwar Anzar, Dayaw is annually held in celebration of National Indigenous Peoples’ Month observed every October, showcasing the different indigenous groups of the country, and an enriching and interesting array of activities including performances, rituals, forums, traditional cuisine demos, traditional games, arts and crafts exhibit and cultural tours, among others.

Dayaw aims to highlight the importance and richness of indigenous cultures, to discuss issues indigenous peoples face today and facilitate interactions with other indigenous peoples. It also aims to mine traditional knowledge as well as draw inspiration and insight from indigenous ways of life to find solutions for modern problems.

In previous years, Dayaw gathered indigenous peoples in one venue. This year, it will be held in three different venues in the three major island clusters of the country. It will have the theme “Katutubong Filipino Para sa Kalikasan at Kapayapaan” (Indigenous Filipino for the Environment and Peace).

In the Visayas, Dayaw will be held from November 10 to 11, 2014, in Bacolod City, also in partnership with Negros Cultural Foundation, Inc. It will be participated in by indigenous groups of central Philippines including Ati, Panay Bukidnon, Waray, Abaknon, Hiligaynon, and Cebuano.

In Mindanao, Dayaw will be held from November 6 to 7, 2014, in Zamboanga City, also in partnership with Zamboanga City Indigenous Peoples Council of Leaders. It will be participated in by indigenous groups of southern Philippines including Yakan, Subanen, Manobo, Higaonon, Bagobo, Mandaya, Mansaka, B’laan, Sangir, Ata Manobo, T’boli, Teduray, Arumanen, Mamanwa, Maranao, Magindanao, Iranun and Tausug.


Sen. Loren Legarda (center) with NCCA officials (from left) the National Committee on Central Cultural Communities head Alphonsus Tesoro; NCCA chairman Felipe M. de Leon Jr.; the National Committee on Southern Cultural Communities and SCCTA head Al-Anwar Anzar; and National Committee on Northern Cultural Communities head Edwin V. Antonio
Senator Loren Legarda, who is the chair of the Senate Committee on Cultural Communities, expressed her support for the festival.

“Our indigenous peoples never fail to amaze me. Whenever I visit a province and go to IP communities, I always discover marvelous things about our culture and heritage like intricately woven fabrics, cultural songs, chants and dances that narrate the story of our ancestors, and the distinct way of life that our indigenous peoples, who are our culture-bearers, strive to preserve,” she said during the press conference of Dayaw. “We have a very rich culture. I salute our indigenous peoples for preserving our culture and I thank the NCCA, led by chair Jun De Leon, for always showcasing our indigenous heritage through the Dayaw Festival.”

In line with this year’s Dayaw theme, Sen. Legarda commented: “It is sad to note that while our IPs contribute the least with respect to carbon emissions due to their simple and sustainable lifestyles and practices, they are most affected by the consequences of climate change. As we work on measures to better protect the environment and conserve our biodiversity, I urge our IPs to continue to be the primary guardians of the environment.”

Legarda also assured that she is working on other measures that will benefit indigenous peoples and their communities. Among the bills filed in the Senate for the welfare of IPs and for cultural preservation are: Ethnic Origin Act; Department of Culture Act; Traditional folk arts preservation through National Museum’s regional branches; Traditional Property Rights of IPs Act; Equal Employment Opportunities for IPs Act; Resource Centers for IPs Act; and Anti-Religious and Racial Profiling Act.

Legarda is particularly supportive of the country’s weaving traditions. She helped create the Hibla ng Lahing Filipino textile gallery at the National Museum as well as promote indigenous weaves.


The Itneg of Abra

Since the signing of Presidential Proclamation 1906, declaring October as National Indigenous Peoples’ Month, the NCCA has been annually celebrating the occasion in different parts of the country through Dayaw. In 2007, Kalimudan: Panaghi-usa sa Mindanao (Mindanao Indigenous Peoples’ Gathering) was held in Davao City in November, featuring Mindanao’s ethnic groups. The following year, Timpuyog: Indigenous Peoples’ Month Celebration in Luzon was held in Santiago City, Isabela, focusing on Luzon ethnic groups and featuring performances, arts and crafts workshops, cultural awareness lectures, forums, tours, and a theme-park exhibition featuring the traditional houses, cultural resources, practices/rituals, chants, music, songs and dances, stories, traditional arts and crafts, indigenous games. In 2009, the Indigenous Peoples’ Festival was held in the Visayas, particularly in Roxas City, Capiz, called Dungog, with similar activities and aims. Dayaw 2010 was held in Metro Manila, and in 2011, it was held in Tagum City, Davao del Norte. In 2013, Dayaw graced the province of Bulacan. Last year, Dayaw was slated to be held in Tacloban City but super typhoon Yolanda hit the region. It was reprogrammed into psychosocial and arts for healing activities in Leyte, Bohol, Aklan and Cebu.

The SCCTA is composed of the National Committee on Northern Cultural Communities headed by Edwin V. Antonio, the National Committee on Central Cultural Communities headed by Alphonsus Tesoro, and the National Committee on Southern Cultural Communities headed by Al-Anwar Anzar. They are assisted by Marichu Tellano, chief of the Plan/Policy Formulation, and Programming Division and Renee Talavera, SCCTA section head of the NCCA secretariat.
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Tuesday, August 05, 2014

NCCA Calls for Project Proposals for its Competitive Grants for 2015

The National Commission for Culture and the Arts (NCCA), the country’s leading government agency for arts and culture headed by its chairman Felipe de Leon, Jr., encourages cultural and art groups, academic institutions, local arts organizations, non-government organizations involved in culture and arts, and others to submit their project proposals for the NCCA Competitive Grants Program for 2015. Deadline is on August 31, 2014.

The priority projects for 2015 have been defined by the 19 national committees under the four subcomissions which are the National Committee on Architecture and Allied Arts, National Committee on Cinema, National Committee on Dance, National Committee on Dramatic Arts, National Committee on Literary Arts, National Committee on Music, and National Committee on Visual Arts of the Subcommission on the Arts; Northern, Central and Southern Cultural Communities of the Subcommission on Cultural Communities and Traditional Arts; National Committees on Archives, Art Galleries, Libraries and Information Services, Historical Research, Monuments and Sites, Museums under the Subcommission on Cultural Heritage; and under the Subcomission on Cultural Dissemination, the National Committees on Cultural Education, Communication, and Language and Translation.

As underlying theme, projects to be funded by the NCCA must capture the aspiration of the arts and culture community, expressed by NCCA’s vision in the 21st century: “Filipino culture as the wellspring of national and global well being.”

Furthermore, projects must establish culture as pillar of sustainable development, advance creativity and diversity of artistic expression, and promote a strong sense of nationhood and pride in being Filipino through culture and arts.

Through the National Endowment Fund for Culture and the Arts (NEFCA), the NCCA Grants Program provides support to individuals and organizations in fields that are aligned with the Philippine culture and arts and in accordance with the defined priorities of each of the national committees. The NCCA provides funds for projects for the promotion, development and conservation of Philippine culture and arts, and it continuously encourage collaborative efforts which provides significant contributions to the realization of the mandate of the NCCA.

Each year, the NCCA Board of Commissioners, in coordination with the four subcommissions, defines its thrusts and priorities anchored on the following major programs for 2013-2016: Program for Cultural Education, Program for Cultural Diplomacy, Program for Conservation of Cultural Heritage, Program for Culture and Development, and Program for Artistic Excellence and Creativity.

Interested individuals or groups can avail of NCCA assistance by submitting a project proposal under the NCCA Competitive Grants, or file a request under the Institutional Programs, namely, NCCA Outreach Program, Experts and Resource Persons Bureau and Technical Assistance Program.

Accomplished project proposals must be submitted to Marichu G. Tellano, chief of Policy, Plan Formulation and Programming Division (PPFPD), 5th Floor, National Commission for Culture and the Arts (NCCA), 633 General Luna St., Intramuros, Manila, with telephone number (63-2) 527-2192, fax numbers (63-2) 527-2198 and 522-2084, and emails info@ncca.gov.ph and pmd@ncca.gov.ph.

Proposal submission through electronic mail (email) are accepted provided that all project documents are complete and with scanned signature of the official proponent/head of the organization/LGU. Absence of the signature of the proponent shall be considered unofficial.

Proposals must be stamped received by the Policy/Plan Formulation and Programming Division of the NCCA on or before August 31, 2014. Late or incomplete project proposal will not be considered. Only one proposal per proponent can be submitted to NCCA. Copy of the project proposal form may be obtained at the PPFPD office or may be downloaded at www.ncca.gov.ph (Go to “Grants Program”).

For inquiries on the NCCA Grants Programs, please get in touch with the Planning, Policy Formulation and Programming Division (PPFPD) through direct line 527-2214, or trunkline 527-2192 local 509 (SCA); 501 (SCCTA); 506(SCH); and 511(SCD). Email addresses are pmd@ncca.gov.ph, grants@ncca.gov.ph, and info@ncca.gov.ph.
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Tuesday, February 04, 2014

Tanghal to take center stage anew in February

“Tanghal,” one of the seven flagship programs during the Philippine Arts Festival (PAF) of the National Commission for Culture and the Arts (NCCA), will once again take center stage this February. PAF is part of the celebration of the National Arts Month every February.

Tanghal 2014 is a theater festival that aims to underscore the importance of the works and achievements of community and university-based theater groups.

The Ginhawa Theater Caravan will tour in regional venues on Feb. 9-23. In Bohol, the Kasing Sining Kumbuyahanay will be held on Feb. 22-27, while the Kasing Sining ASYA-UNESCO ITI on Feb. 24-27.

It will be led by Lutgardo Labad, head of the National Committee on Dramatic Arts of the NCCA's Subcommission on the Arts.

The Philippines celebrates NAM during February since the signing of Presidential Proclamation 683 in 1991. As the country’s main agency for the arts and culture, the NCCA, headed by its chairman, Felipe de Leon, Jr., leads in celebrating NAM with the Philippine Arts Festival.

For 2014, PAF has taken the theme "Art on the Edge,” highlighting the advancements achieved in different art forms, the innovations, the modern evolution of art, and the artistic creations in the peripheries.

Spearheaded by the NCCA’s Subcommission on the Arts, PAF consists of the flagship projects of the seven committees of the subcommission—architecture, cinema, dance, literature, music, theater, and the visual arts. It aims to highlight the artistic talent and brilliance of the Filipino people. Initially centering around the National Capital Region, PAF activities will be held all over the country in order to reach as many people as possible.

With private and government agencies as partners, PAF 2014 promises to be an exhilarating celebration of the arts with workshops, exhibitions, forums, performances, and many other events participated in by numerous artists.
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NCCA Prepares for a Grand Feast of the Arts at the Philippine Arts Festival 2014

The National Commission for Culture and the Arts (NCCA) goes full throttle in the preparation for a grand, national fete of the arts, designed to engage everybody in the edifying and enriching experience that art can bring.

The Philippines celebrates the National Arts Month (NAM) during February since the signing of Presidential Proclamation 683 in 1991. As the country's main agency for the arts and culture, the NCCA, headed by its chairman Felipe de Leon, Jr., leads in celebrating National Arts Month with the Philippine Arts Festival (PAF).

Spearheaded by the NCCA's Subcommission on the Arts, PAF comprises mainly the flagship projects of the seven committees of the subcommission--architecture, cinema, dance, literature, music, theater, and the visual arts. It aims to highlight the artistic talent and brilliance of the Filipino people. Initially centering around the National Capital Region, PAF activities will be held all over the country in order to reach as many people as possible.

With private and government agencies as partners, PAF 2014 promises to be an exhilarating celebration of the arts with workshops, exhibitions, forums, performances, and many other events participated in by numerous artists.

For 2014, PAF has taken the theme "Art on the Edge," highlighting the advancements achieved in different art forms, the innovations, the modern evolution of art, and the artistic creations in the peripheries.

The seven committees of the NCCA's Subcommission on the Arts have prepared a rich repertoire of activities and events.

The National Committee on Architecture and Allied Arts, headed by architect Gerard Lico, will hold several exhibitions, conferences, lectures and competitions on Philippine architecture and allied arts, collectively called Archi[types/texts] 2014.

The National Committee on Cinema, headed by Dr. Miguel Rapatan, will hold Cinema Rehiyon 6 in Cagayan de Oro City on Feb. 19-22 with screenings and forums that focus on the film productions from the regions. Independent filmmakers from Baguio, Pampanga, Calabarzon, Naga, Bacolod, Cebu, Davao, General Santos, Zamboanga and others will showcase their latest films. Film curators, festival programmers, and film enthusiasts will also be in attendance.

The National Committee on Dance, headed by Shirley Halili-Cruz, will present Sayaw Pinoy, the longest-running NAM project with a full house audience in every performance. It will tour dance concerts showcasing the different dance forms (folk, ballet, hiphop, and contemporary) by various dance companies, performing back to back with upcoming dance groups. Now on its 11th year, Sayaw Pinoy will spread the beauty of dance in key areas all over the country. Sayaw Pinoy will underline the dance icons in the major venues of the event in the different cities in Luzon, Visayas and Mindanao. Dance workshops and artists dialogues will be participated in by visiting and local dancers, choreographers, directors, and SPA teachers from the different regions.

The National Committee on Literary Arts, headed by Priscilla Macansantos, will mount the literary arts festival, Taboan 2014: Philippine Literary Arts Festival, to be held at the Subic Freeport Zone on February 24-26, 2014. Taboan 2014 will gather writers, teachers and students for forums, lectures, a book fair, literary readings, performances, arts and crafts exhibits, cultural tours, other satellite projects, and an awards ceremony for outstanding writers from the regions.

The National Committee on Music, headed by Prof. Felipe de Leon, Jr., will stage the Taal-Tunugan, wherein a new musical ensemble will be trained and then toured using musical instruments they made themselves from scraps and other recycled materials. Â The Taal-Tunugan is aimed at resonating the sounds and or music found in different communities in the Philippines that utilize locally-crafted musical instruments.

The National Committee on Dramatic Arts, headed by Lutgardo Labad, will hold Tanghal 2014, a theater festival underscoring the works and achievements of community and university-based theater groups.

The National Committee on Visual Arts, headed by Nemesio Miranda, will hold the Philippine Visual Arts Festival (PVAF) in Tacloban, which will gather visual artists from all over the country for a lineup of activities including conferences, exhibitions, competitions, workshops, painting sessions, tours, and many others. This is will be held on Feb. 20-24.

Aside from these, there are other components of PAF. The opening ceremony, to be held in Roxas City, Capiz, on January 31, 2014, is not to be missed because it is a rousing start of the colorful celebration filled with performances and other activities that will afford attendees a foretaste of the seven arts and their sumptuous offerings.

Also of importance is the second Likha Asya festival and conference on community theater, creative industries and community-based tourism, a cross-cultural exchange of experiences and expertise in the creative industries and cultural tourism between Lihok Bisaya, a cultural association of seven community-based cultural groups in the Visayas region, and similar groups in Asia striving for sustainable livelihoods.

The Ani ng Dangal awarding ceremony honors Filipino artists who are recognized with top honors in international awards, competitions and festivals. It will be held on February 2, 2014, at the Newport Performing arts Theater in Resorts World Manila.

It may be the shortest month of the year, but expect February to be brimming with wonderful events with the Philippine Arts Festival.
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Saturday, August 11, 2012

NCCA Calls for Project Proposals

The National Commission for Culture and the Arts (NCCA), the country’s leading government agency for arts and culture headed by its chairman Felipe de Leon, Jr., encourages cultural and art groups, academic institutions, local arts organizations, non-government organizations involved in culture and arts, and others to submit their project proposals for the NCCA Grants Program for 2013. Deadline is on August 30, 2012.

The priority projects for 2013 has been defined by the 19 national committees under the four subcomissions to include; the National Committee on Architecture and Allied Arts, National Committee on Cinema, National Committee on Dance, National Committee on Dramatic Arts, National Committee on Literary Arts, National Committee on Music, and National Committee on Visual Arts of the Subcommission on the Arts; Northern, Central and Southern Cultural Communities of the Subcommission on Cultural Communities and Traditional Arts; National Committees on Archives, Art Galleries, Libraries and Information Services, Historical Research, Monuments and Sites, Museums under the Subcommission on Cultural Heritage and under the Subcomission on Cultural Dissemination, the National Committees on Cultural Education, Communication and Language and Translation.

“Filipino culture as the wellspring of national and global well being.” - NCCA’s vision in the 21st century captures the aspiration of the arts and culture community shall be the underlying theme of each project to be funded by the NCCA. Furthermore, these project must respond to any of the following outcomes and objectives:

OUTCOME 1: Culture as pillar of sustainable development established

Objectives: a. To develop a heritage-based creative economy

b. To increase regional participation in culture and arts

c. To strengthen creative enterprises of cultural communities towards economic sustainability.

d. To professionalize heritage conservation skills


OUTCOME 2: Creativity and diversity of artistic expression advanced

Objectives: a. Increase awareness, recognition and protection of the traditional arts

b. To enhance the effectiveness of cultural workers in responding to the needs of cultural communities

c. To conduct cultural mapping as a basis for developing cultural industries


OUTCOME 3: Strong sense of nationhood and pride in being Filipino through culture and arts promoted

a. To broaden engagement with other sectors/stakeholders in the development and promotion of culture and arts

b. To increase regional participation in culture and art

c. To harness culture and arts as catalyst for social change especially to underserved and marginalized areas

d. To maximize potential for resource generation

e. To preserve and develop cultural spaces for creative and artistic expressions

f. To improve the level of public awareness and appreciation of traditional culture and the arts

g. To strengthen the capabilities and develop the potentials of cultural workers for Better work performance

h. To preserve and protect cultural and historical heritage

i. To ensure the effective implementation of the National Heritage Act of 2009

j. To increase awareness and valuation of our cultural and historical heritage

k. To professionalize the cultural heritage profession

l. To develop mechanisms for museum sustainability

m.To address problems on vulnerability of tangible heritage to disasters, demolitions,and disappearances

n. To increase the artistic and cultural literacy of Filipinos through the Sagisag Kultura

o. To have a systematic/productive collaboration with LGUs, NGOs, and other agencies in the regions of the Philippines

p. To systematize communication, coordination and collaboration among the committees and within the SCD

q. To develop efficient measures and studies in assessing NCCA performance and committee accountability in projects

Through the National Endowment Fund for Culture and the Arts (NEFCA), the NCCA Grants Program provides support to individuals and organizations in fields that are aligned with the Philippine culture and arts and in accordance with the defined priorities of each of the National Committees. The NCCA provides funds for projects for the promotion, development and conservation of Philippine culture and arts, and it continuously encourage collaborative efforts which provides significant contributions to the realization of the mandate of the NCCA.

Each year, the NCCA Board of Commissioners, in coordination with the four subcommissions, defines its thrusts and priorities anchored on the following major programs: Program for Culture and Developments, Program for the Promotion of Culture and the Arts, Program for Artistic Excellence, Program for Culture and Education, Program for Conservation of Cultural Heritage, Program for Culture and Diplomacy, and Program for Culture and Peace.

Interested individuals or groups can avail of NCCA assistance by submitting a project proposal under the NCCA Competitive Grants, or file a request under the Institutional Programs, namely, NCCA Outreach Program, Resource Person’s Bureau and Technical Assistance Program.

Accomplished project proposals must be submitted to Marichu G. Tellano, Chief, Policy, Plan Formulation and Programming Division (PPFPD), 5th Floor, National Commission for Culture and the Arts (NCCA), 633 General Luna St., Intramuros, Manila, with telephone number (63-2) 527-2192, fax numbers (63-2) 527-2198 and 522-2084, and emails info@ncca.gov.ph and pmd@ncca.gov.ph.

Proposal submission through electronic mail (email) are accepted provided that all project documents are complete and with scanned signature of the official proponent/head of the organization/LGU. Absence of the signature of the proponent shall be considered unofficial.

Proposals must be stamped received by the Policy/Plan Formulation and Programming Division of the NCCA on or before August 30, 2012. Late or incomplete project proposal will not be considered. Only one proposal per proponent can be submitted to NCCA. Copy of the project proposal form may be obtained at the PPFPD office or may be downloaded at this link: http://www.ncca.gov.ph/about-ncca/programs/about-ncca-grants-programs.php

For more information, contact NCCA Public Affairs and Information Office (PAIO) head, Rene Sanchez Napenas at (632) 527-2192 or 0928-5081057; or email us at ncca.paio@gmail.com.
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Monday, April 02, 2012

'Art 2 Art' Bares April Episodes

Film director Cathy Garcia-Molina, hailed as the “Rom-Com Queen” for her string of blockbuster romance comedies, is the featured guest in the first episode of Art 2 Art this April.

Fresh from the recent success of her latest flick, Unofficially Yours, “Direk Cathy” tells Art 2 Art host Lisa Macuja how veteran director Marilou Diaz-Abaya inspired her to seriously consider directing as a profession. Describing herself as a “hopeless romantic,” she also shares the elements that make a movie click with the audience, and how she has coped with her situation as a young widow with two kids.


The episode airs on April 1, 3:30 to 4 p.m., on DZRH (666 khz on the AM band), and can be viewed simultaneously via RHTV on Cablelink Channel 9 and on the Internet through DZRH live streaming. Art 2 Art is produced by the the Manila Broadcasting Company.

On April 8, fashion and celebrity photographer Sara Black drops by and relates how sidelining as a model earlier on helped her to bankroll her own studio and also pursue personal projects such as her own photography book.

On April 15, graphic designer and illustrator Carlo Vergara relates how he created the character Zsazsa Zaturnnah whose exploits have jumped from the comic book pages to a musical play and a movie. Vergara has released the first of the three-part Zaturnnah sequel to mark the 10th anniversary of his famous heroine.

For inquiries about Art 2 Art, please e-mail art2artdzrh@yahoo.com.ph. On Facebook, check out the account Ballerina ng Bayan for updates on Art 2 Art episodes and Ballet Manila performances.
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Saturday, February 25, 2012

A Master at Work: Nonon Padilla Directs PETA’s Haring Lear


MANILA, Philippines – People who have seen Nonon Padilla’s works say that his theatrical creations are filled with imagery and metaphor. So as he starts to develop another unique form of artistic creation with the Philippine Educational Theater Association’s (PETA) Haring Lear

Felix “Nonon” Padilla is one of the most original, accomplished and influential figures in contemporary Philippine theater. His inventive style, unique artistry and uncanny ability to make audiences ponder, mark his works with streaks of “genius”. As a director, he is known for pushing boundaries and for introducing new forms and styles to feed the hungry minds of Filipinos.

“While he is well-versed in the classics, Nonon is at home with the whole range of the arts both classical and modern. He can toss seemingly incongruous artistic ingredients together and organize them into a unified, innovative piece of theater”, shares PETA President, Cecilla Garrucho.

Every two years, PETA traditionally produces a Nonon Padilla play so as to create a mix of various styles. Padilla last worked with PETA for the symbolism-filled, stylized staging of Tony Perez’ Saan Ba Tayo Ihahatid ng Disyembre?

Unlike the original text set in prehistoric Britain, Padilla’s version is located in a post-nuclear world that is strangely familiar. “I thought it would be interesting to set the play in the future, a future that is as bleak as it was in the barbaric or the primitive times”, said Padilla.

Exciting and suspenseful, PETA’s Haring Lear retains Shakespeare’s beautiful and devastating themes of love, madness, death and sacrifice.

A masterpiece deserves nothing less than the skilled hands of a master director like Nonon Padilla. Haring Lear

Haring Lear is presented by PETA and British Council. It is supported by National Commission for Culture and the Arts, JackTV, 2ndAvenue, BusinessWorld, HerWord.com, juice.ph, clickthecity.com and eyp.ph. The play will run every Friday (7:00PM), Saturday and Sunday (10:00AM/3:00PM) from January 27 until March 4, 2012 at The PETA Theater Center. For ticket reservations, contact 7256244, 4100821-22, 09175765400, or buy tickets online at petatheater@gmail.com, www.petatheater.com.

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Thursday, February 16, 2012

New TV show on Filipino Artists Airs February


Art Republik, a new TV show that features Filipino artists, debuts February 28 on Knowledge Channel at 8:40 p.m. Art Republik is a 30-minute program on Philippine arts and culture, profiling 51 artists from various art fields and two art collectors or a total of 53 guests for its first season. The first season of Art Republik carries 13 episodes anchored on themes, which are based on cultural traits.

The cultural traits used as episode themes include close family relations with a focus on siblings' relationships, respect, Bayanihan, adaptability, hard work, responsibility, strong sense of community, commitment, courage, quality, sentimentality, excellence, and perseverance.

For the first episode, Art Republik features two families involved in the fields of independent film and the visual arts: the Lee Brothers and the Dalena sisters. Roxlee is the hero of underground cinema; Romeo Lee commonly known as Lee is a University of the Philippines-Diliman icon and visual artist/performer.

Sari Lluch Dalena is a multi-awarded filmmaker who recently bagged the Best Picture and Best Director awards at the 2011 Cinema One Originals Film Festival for Ka Oryang. Aba Lluch Dalena is a visual artist, an art teacher and the lead vocals of Rockbato. Kiri Lluch Dalena traverses the fields of visual arts and film.

“We created the show to provide an alternative program to the usual entertainment and political fare on television. TV is a powerful medium to inform and engage people. We hope that Art Republik could contribute in increasing the awareness on Philippine art to a wider public by presenting its creators, the Filipino artists, whose work reflect our culture,” Betty Uy-Regala, producer of Art Republik, said.

The other members who complete the show's team are co-producer Evie dela Cruz, director JL Burgos, Imelda Morales, Opaline Santos, Ria Torrente, Kathrina Reston, Tom Estrera III, Allan Alcantara, Erwin dela Cruz, Rene Bayking, and Joel Laserna. Alma dela Pena, Mavie de Ocampo, Kristine C. Tabada, and Phillyn Lorenzo were part of the pilot episode production.

The show is produced through the Asian Christian Arts Association, Inc., a non-governmental organization, and partially funded by the National Commission for Culture and the Arts (NCCA), the policy-making body and grants-giving government agency for the preservation, development and promotion of Philippine arts and culture.

Felipe de Leon, Jr., chairman of the NCCA, said, “The Philippine government recognizes the role of culture in the development of the economy and national unity. This is embodied in our Constitution (Article XIV) and the Medium-Term Philippine Development Plan (MTPDP).”

Art Republik will be aired on Knowledge Channel every Tuesday at 8:40 p.m. with replays on Thursday at 8:40 p.m. and Saturday at 2:00 p.m. Knowledge Channel is channel 42 on Sky Cable. Art Republik is on Facebook (http://www.facebook.com/artrepublik).
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Saturday, January 28, 2012

The Philippine Arts Festival 2012 Opens on Jan. 29

The National Commission for Culture and the Arts (NCCA), the country’s prime agency for arts and culture, ushers in the National Arts Month (NAM) with a festive opening of the Philippine Arts Festival (PAF) on January 29, 2012.

The PAF is NCCA’s major event in celebration of (NAM). The opening will be at the Rizal Park, promising a fiesta atmosphere highlighted by a kite making workshop and kite flying, and sumptuous samplings of the seven arts.

This will serve as a launch pad for a month-long fete that emphasizes the artistry of the Filipino people. PAF comprises the flagship projects of the seven committees of the NCCA’s Subcommission on the Arts, comprising architecture, cinema, dance, literature, music, theater and the visual arts.

Under its chairman Felipe de Leon, Jr. and OIC-executive director Adelina Suemith, the NCCA has taken the theme “Tradition and Innovation” for the festival, which aims to further Philippine art and the Filipino’s regard for local arts and culture. PAF will comprise workshops, exhibitions, forums, performances and many more, participated in by representatives of all the seven arts and taking place all over the country. Numerous artists are expected to take part in this grand gathering.

The annual celebration of National Arts Month started with the signing of Presidential Proclamation 683, in 1991, declaring February as National Arts Month. Over the years, NCCA as well as private and government agencies organize events and activities to highlight the artistic brilliance of the Filipinos. In recent years, the NCCA has been organizing a festival that showcases the artistic harvest of Filipino talents for NAM.

This year’s PAF will emphasize traditional art forms and genres as well as contemporary ones. There will also be tributes to National Hero Jose Rizal. Closing the PAF is the Ani ng Dangal awarding ceremony as well as recognition of contemporary artists for their contributions.

For the whole month of February, expect the seven committees to present their projects, in which the public is invited to come.

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Monday, January 02, 2012

First Asian Gong & Bamboo Music Festival to Highlight Philippine Arts Festival

The National Commission for Culture and the Arts (NCCA) will hold the First Asian Festival of Gongs and Bamboo Music, as part of the Philippine Arts Festival (PAF) in celebration of the National Arts Month.

Led by Prof. Felipe de Leon Jr., NCCA chairman, the music festival will gather local and foreign gongs and bamboo ensembles for performances and workshops from February 20 to 24, 2012 in Cagayan de Oro and from February 25 to 28 in Baguio and Iloilo.

The Musicology Society of the Philippines is the principal proponent of the First Asian Festival of Gongs and Bamboo Music, which will also incorporate a conference that will explain the social and spiritual significance of the music created by the gongs and bamboo.

PAF 2012 will emphasize traditional art forms and genres as well as contemporary ones. The launching is set at the Rizal Park with a fiesta atmosphere highlighted by a kite making workshop and kite flying, as well as sumptuous samplings of the seven arts. Closing the PAF is the Ani ng Dangal awarding ceremony as well as the recognition of contemporary artists for their contributions.

PAF is held every February in celebration of the National Arts Month in pursuant to Presidential Proclamation No. 683 signed in 1991. The month-long festival is spearheaded by the NCCA, led by its chairman Felipe de Leon Jr. and OIC-executive director Adelina Suemith, with Marichu Tellano as head of the Planning, Policy Formulation, and Programming Division.

For next year’s celebration, the NCCA has taken the theme “Tradisyon at Inobasyon” (Tradition and Innovation) which aims to further advance local creativity in the arts. Eminent local and foreign artists will take part in this biggest and grandest month-long cultural gathering.

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CALABARZON Film Festival 2012: Call For Entries


We are pleased to inform you that pelikuLAB-Samasining, in cooperation with UPLB Office for Initiatives in Culture and the Arts, is organizing PELIKUL2URA: The Calabarzon Film Festival 2012, which will be held on Feb. 22-24 at UPLB. Its first edition was held successfully last year in February also at UPLB.


In line with the second Calabarzon-wide film festival, we are now accepting entries for the short film competition, and we are inviting your institution to participate in this historic event by sending films and delegates. May we also ask for your assistance in disseminating this announcement in your institution?

The winners of the competition will receive cash prize, plaque and certificate. There is also a chance that your film submissions will be screened in NCCA’s Cinemarehiyon 2012 to be held in Bacolod City in Feb. together with films from other regions prior to the festival.

The deadline for submission of entries and delegate registration is on Dec. 31 at 11:00 pm. Due to budget constraints, we will not be able to shoulder accommodation of delegates, but we are currently raising funds to subsidize accommodation expenses.
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Monday, December 05, 2011

NCCA Sets the Stage for Philippine Arts Festival 2012

The National Commission for Culture and the Arts’ (NCCA)—the country’s prime agency for arts and culture—is gearing up for the 2012 Philippine Arts Festival (PAF), a month-long fete that will banner the flagship projects of the seven committees of the NCCA’s Subcommission on the Arts (SCA), embracing architecture, cinema, dance, literature, music, dramatic arts and visual arts.

Under its chairman, Prof. Felipe de Leon, Jr., the NCCA has taken the theme “Tradisyon at Inobasyon”(Tradition and Innovation) for next year’s celebration, which aims to further advance local creativity in the arts. PAF will feature workshops, exhibitions, forums and performances by practitioners of the arts and will take place all over the country. Eminent local and foreign artists will take part in this biggest and grandest month-long cultural gathering.

The annual celebration of National Arts Month began with the signing of Presidential Proclamation 683 in 1991, declaring February as National Arts Month. Through the years, the NCCA in partnership with various private and government agencies have organized events and activities to highlight Filipino artistic excellence and creativity.

Popular television and film icons Boy Abunda and Dingdong Dantes have lent their stellar power for the 2011 festival as NCCA Art and Youth Ambassadors, respectively. For 2012, they will be joined by Piolo Pascual as NCCA Culture Ambassador to further popularize the festival.

Next year’s PAF will emphasize the interface of traditional and contemporary art forms and genres. A festive launching is set at the Rizal Park, to be highlighted by a kite making workshop, kite flying, and sumptuous samplings of the seven arts. Closing the PAF is the Ani ng Dangal awarding ceremony that will recognize the contribution of individuals and institutions to the promotion of Filipino cultural heritage.

During the entire month of February, the public is invited to come and witness the seven arts committees present their flagship projects.

Architecture

The Committee on Architecture and Allied Arts, headed by Architect Gerard Lico, will be holding several exhibitions, conferences, lectures and competitions to mark the celebration. The exhibitions will revolve around themes and topics on the morphology of Filipino buildings, Philippine styles, the works of IP Santos, and discourses on design. These events are under the “Achi[types/texts] 2012” project. Some of the exhibits include “Salumpuwit, Bangko, Silya, Atbp.: A History of Chairs in the Philippines”; “La Vida Verde: The Landscape Architecture of National Artist IP Santos”; and “Imeldific Modernity: A Dictatorship of Style.” There will also be a design competition on architectural innovation for architecture students, as well as conferences, and lectures.

Cinema

The National Committee on Cinema, headed by Dr. Miguel Rapatan, will be holding CinemaRehiyon 4 in Bacolod City, Negros Occidental. The festival features screenings and forums that focus on the artistic endeavors in filmmaking from the regions. Dubbed as the “biggest countryside/regional film festival,” Cinemarehiyon films gathers the best and emerging filmmakers from Luzon to Mindanao. It will happen from February 8 to 11, 2011.

Dance

The National Committee on Dance, headed by Shirley Halili Cruz, will be presenting Sayaw Pinoy, the longest-running Arts Month flagship project and is considered as one of the most attended, widely-successful, and much-anticipated event. Now on its ninth year, Sayaw Pinoy will continue to spread the beauty of dance in various areas all over the country. It will be participated by top dance groups from Manila vis-à-vis the emerging groups from the regions.

Literary Arts

The National Committee on Literary Arts, headed by Dr. Priscilla Macansantos, will mount the literary arts festival Taboan in Pampanga and Baguio. Taboan 2012: Philippine International Writers Festival will gather writers and readers for panel discussions, lectures, book fair, literary readings and performances, and many more. It will happen from February 9 to 11, 2012. Taboan events in the past were held in Metro Manila, Cebu, and Davao City.

Music

The National Committee on Music, headed by Prof. Felipe de Leon, Jr., will be staging the First Asian Festival of Gongs and Bamboo Music in Cagayan de Oro City, Iloilo City and Baguio City. It will gather local and foreign gongs and bamboo ensembles for performances and workshops. It will be from February 20 to 24, 2012, in Cagayan de Oro, and from February 25 to 28 in Baguio and Iloilo.

Dramatic Arts

The National Committee on Dramatic Arts, headed by Lutgardo Labad, will be holding the Tanghal 2012, focusing on community-based theater groups, in Calamba City, Cebu City, General Santos City and the Cultural Center of the Philippines. It will bring the best and emerging university and community-based theater groups together for the celebration.

Visual Arts

The Committee on Visual Arts, headed by Nemesio Miranda, will be holding the Philippine International Visual Arts Festival (PIVAF) in the town of Angono, dubbed as an “Art Capital of the Philippines”. In 2012, it will have “Rizal” as theme, calling it the Philippine International Visual Arts Festival: The Rizal Experience (PVAF: TRE). Happening from February 17 to 20, 2012, PVAF: TRE will have a lineup of activities throughout the province of Rizal—conferences, exhibitions, competitions, workshops, painting sessions, scenic tours, trade expo, parades, performances and kite-flying.

NCCA’s 25th Anniversary

As the NCCA turns 25 years in 2012, expect the Philippine Arts Festival to be a grand celebration for all the artists and cultural workers in the country. Likewise, the NCCA gears for its other banner programs like theDance Xchange: Philippine International Dance Festival held every April; Taoid in celebration of National Heritage Month every May; and Dayaw every October in line with the celebration of Indigenous Peoples Month, among others. The NCCA Secretariat is headed by its OIC Executive Director Ms. Adelina Suemith, while the head of the Planning, Policy Formulation, and Programming Division (PPFPD) is Ms. Marichu Tellano.

For more details on the activities and schedules, contact PIAF Media Director and NCCA-Public Affairs and Information Office (PAIO) head, Rene Sanchez Napenas at (632) 527-2192 or 0928-5081057, or PAF Festival Manager, Vanessa Nicolas at 0918-6380412. Email us at ncca.paio@gmail.com.


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Tuesday, November 01, 2011

8th Tupada International Visual Performance Art Festival

TAMA'11
Solidarity in PErformAnCE

In cooperation with the National Commissions for Culture and the Arts (NCCA)

Presents

The 8th Tupada International Visual Performance Art Festival

Africa/USA : Tunu Thom
Belgium : Gwendoline Robin
Estonia : Non Grata
France/Germany : SP-38
France/USA : Sylvester Gobart
Japan : Makoto Maruyama
Japan/Singapore : Ayano Hatori
Korea : Pan Asia Group
Malaysia/Denmark : Amir Zainorin
Morocco/Israel : Kineret Haya Max
Myanmar/UK : Htein Lin
USA/Korea : Eric Scott Nelson

Philippines

Batangas: Rogger Basco
Cavite: Sherwin Carrillo
Bulacan: Buddy Ching
Makati: Thomas Daquiaog
Sta. Ana: Boyet De Mesa
Manila: Martin De Mesa
Manila: Ceej Gomera
Manila: Arvin Javier
Antipolo: Jethro Jocson
Angono Rizal: Ian Lomongo
Dipolog: Marlon Magbanua
Quezon City: Vim Nadera
Quezon City: Kaye O’yek
Bohol: Sam Penaso
Cavite: Dewi Redubla
Batangas: Crecee Roldan
Aparri Cagayan: Ronaldo Ruiz
Laguna: Jo-an Sarmogenes
Manila: Mannet Villariba
Quezon City: TARE

DAY 1
Nov 3 (Thurs) 2pm-7pm
Jorge Vargas Museum,
UP Diliman, Quezon City

Art talk + Video = Performance Art
"Performing Engagement"
by Ms. Eileen Legaspi Ramirez

"Soft"
By Sylvester Gobart

Performance Art talk
by Vim Nadera

Performances

DAY 2
Nov 4 (Fri) 2pm-5pm
Freedom Park, Marikina City

DAY 3
Nov 5 (Sat) 2pm-7pm
Phase 3 & 4 , Kanlungan ng Sining
Rizal Park, Manila

DAY 4
Nov 8 (Tue) 10am-6pm
La Salle Lipa, Batangas

DAY 5
Nov 9 (Wed) 10am-6pm
Municipal Grounds
Pitogo, Quezon

DAY 6
Nov 10 (Thurs) 2pm-7pm
Soliyao Beach
Pitogo, Quezon


Supported by Japan Foundation, Israel Ministry of Foreign Affairs, Wallonie-Bruxelles International, Vargas Museum, Lungsod ng Marikina, National Parks Development (NPDC), Art Association of the Philippines (AAP),De Lasalle Lipa and Municipality of Pitogo Quezon.

Contact:
+632-806-9336 (Secretariat)
tupada.ph@gmail.com
www.tamatupada.multiply.com
www.facebook.com/tupada.action.and.media.art

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Thursday, October 20, 2011

Dayaw 2011: A Grand Celebration of Indigenous Cultures

A grand celebration and gathering of indigenous Filipino cultures recently concluded in Tagum City, Davao del Norte, where about 40 indigenous groups and clusters performed and discussed issues, exhibits were mounted, traditional games and dishes were showcased and vernacular architecture was displayed.

About 400 delegates from all over the Philippines converged at the Energy Park in the barangay of Apokon of the progressive city for the celebration of Dayaw: Indigenous Peoples Festival 2011. The event was spearheaded by the National Commission for Culture and the Arts (NCCA), particularly its Subcommission on Cultural Communities and Traditional Arts (SCCTA), with the Mindanawon Initiatives for Cultural Dialogue, the Tagum City government, the Tagum City Tourism Council, different government agencies and the private sector.

The NCCA has been annually celebrating the National Indigenous Peoples’ Month in different parts of the country through this event. This year, it was held from October 7 to 9, with the theme “Paghabi ng Ating Pagkakatulad Tungo sa Kapayapaan” (Interweaving Our Commonalities Towards Peace).

A Mansaka group of Tagum City led by Datu Agidong Suknaan and Datu Rudy Onlos opened the festival with a ritual, thanking Magbabaya. The participants, about 400 of them, and guests were welcomed by Tagum City mayor Rey T. Uy. Department of Education Undersecretary Albert Muyot delivered the message of NCCA chairman Felipe de Leon, expressing appreciation to the city of Tagum, dubbed as the cultural hub of Mindanao. Also in attendance is NCCA executive director-officer-in-charge Adelina Suemith, who will serve the Commission while in search of executive director.

The highlight of the opening ceremony was an exhilarating parade of indigenous groups and clusters, including the Iloko and Bago, Pangasinan of Bolinao, Gaddang and Isinay, Tinggian and Itneg, Ibanag and Yogad, Itawit and Malaweg, Ivatan, Bungkalot and Isnag, Kalinga, Ifugao, Ibaloi, Kankanaey and Balangao, Bontok and Applai, Ayta of Central Luzon, Tagalog of Bulacan, Mangyan, Palawani, Molbog and Jama Mapun, Tagbanua, Pala’wan and Batak, Cuyunon of El Nido, Agta of Bicol, Bikolano, Ati of Negros Occidental, Ati of Guimaras, Iloilo and Capiz, Bukidnon of Panay, Ati of Antique and Aklan, Hiligaynon, Kiniray‐a and Aklanon, Waray and Abaknon, Yakan, Subanen, Manobo, Higaonon, Bagobo, Mandaya and Mansaka, B’laan and Sangir, Ata Manobo, T’boli, Teduray and Arumanen, Mamanwa, Maranao, Magindanao and Iranun, and Tausug.

NCCA SCCTA Commissioner Joycie Dorado Alegre expressed her admiration for Tagum City for taking up the challenge to host such a big event particularly to Alma Uy, the president of the City of Tagum Tourism Council, which oversaw and managed the event.

For three days, different groups performed at the sprawling park where a main stage was constructed as well as an intimate stage and an inamungan made by the Ata Manobo of Talaingod in Davao del Norte, an elevated structure used for special occasions, gatherings and important discussions. There were also performances in other parts of the region as outreach such as schools and malls in Davao City and several towns around Davao del Norte and in nearby Compostela Valley.

Aside from the performances, there were exhibits at the park: “Gama” (mats, baskets, bamboo crafts and wood crafts), “Dalit” (food and culinary arts), “Bantug” (prestige symbols), “Habi” (woven items, textiles and clothes) and “Kalinaw” (excerpts from Dr. Jesus Peralta’s book Glimpses). There were also examples of vernacular architecture erected at the park including the bebalay pagsalabukay, a Subanen common house;binotok, an Ata Manobo house; balay, an Ati house; patil, a house with single and high post; and an Ifugao hut.

Additionally, the 9th Kaimunan Festival of Tagum City was held on Oct. 7 as part of Dayaw. Held at the University of Southeastern Philippines (USeP), the event showcased the cultures of the ethnic groups of the city, particularly the Mansaka, and concluded with a traditional feast of rice, chicken and catfish cooked in bamboo tubes and bais, the ginger wine.

A substantial part of the Dayaw festival was the forum and workshop held at the DepEd Conference Room, with case presentations and discussions on indigenous peoples (IP) concerns. There were also presentations of traditional games to the delight of visitors.

The Dayaw 2011 closing ritual was held at the USeP, where the different indigenous groups gathered and watched the showcase of southern ethnic cultures and feasted on sumptuous traditional food. The event was highlighted by the reading of the Dayaw Tagum Declaration, ratified by the heads of different IPs and synthesized by anthropologist Dr. Prospero Covar. The declaration voices the issues, concerns and aspirations of the IPs as well as the actions to be taken by government, the general public and IPs themselves.

Overall, the Dayaw 2011 celebrates the cultural richness of the country through its indigenous peoples as well as confronts the problems that sadly beleaguer them. It is hoped that the festival will foster a deep appreciation of their contributions. Mindanawon Initiatives for Cultural Dialogue is this year’s conduit NGO for the celebration.

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Wednesday, October 19, 2011

Piolo Pascual is the new NCCA Ambassador for Culture

Piolo Pascual is now the country's ambassador for culture.

The National Commission for Culture and the Arts (NCCA), the prime government arm dedicated to the promotion and development of Philippine arts and culture, has named the popular actor, singer, television personality, and film producer as the country's face and voice in promoting the rich and diverse cultures the Philippines has to offer.

Pascual, who will work with the NCCA in various ways through his participation in major programs of the commission, was selected from among the various personalities in the entertainment industry because of his mass appeal to the public; his positive image which can inspire and influence people of all ages; his love for culture and the arts; and his outstanding achievements as a young Filipino who can reach to all Filipinos around the globe.

Specifically, Pascual did an infomercial highlighting respect and love for the indigenous peoples of the Philippines, also in line with the celebration of the National Indigenous People's Month this October.

Titled as Dayaw: Indigenous Peoples Festival 2011, the leaders and representative of more than 100 indigenous people from all across the country will converge together from October 6 to 10 at Tagum City, Davao to showcase the rituals, performing arts, cuisines, games and crafts in the festival.

Under the auspices of the NCCA's Subcommission on Cultural Communities and Traditional Arts and Mindanawon Foundation, in partnership with local governments, government agencies and the private sector, Dayaw 2011 will spotlight the country's indigenous peoples in celebrating their arts and ways of life, discussing important issues and making more people aware of the richness and importance of indigenous cultures.

They will be joined by delegates from Southeast Asian countries in simultaneous exchange and interactive activities such as performances, exhibitions, forums, lecture-demonstrations, workshops on traditional crafts and cuisines and indigenous games.

This year, Dayaw aims to celebrate the cultures of the Filipino people as well as those of the visiting foreign delegates by "understanding the commonalities of the various indigenous peoples." It also aims to "strengthen/broaden the awareness, appreciation and pride of all Filipinos for our own traditional culture in the context of cross-cultural interactions in a global society.

With the theme "Paghabi ng Ating Pagkakatulad Tungo sa Kapayapaan" (Interweaving Our Commonalities Towards Peace), the festival features many components such as Tanghalang Makulay (a ritual and performing arts festival), Salu-salong Sarap (a food festival), Mga Habi ng Panaginip (an arts and crafts exhibit, focusing on basketry, textile and mat weaving), Sama-sama sa Tuwa (games/sports), and Usapang Dangal at Likhang Paghayag (forum and creative workshop on peace and unity).

The celebration is in consonance with Presidential Proclamation 1906, declaring October as National Indigenous Peoples' Month. The NCCA has been holding major festivals for several years now in Luzon, Visayas and Mindanao. In 2007, Kalimudan: Panaghi-usa sa Mindanao (Mindanao Indigenous Peoples' Gathering) held in Davao City in November, featured Mindanao's ethnic groups. The following year, Timpuyog: Indigenous Peoples' Month Celebration in Luzon was held in Santiago City, Isabela, focusing on Luzon ethnic groups and featuring performances, arts and crafts workshops, cultural awareness lectures, forums, tours, and a theme-park exhibition featuring the traditional houses, cultural resources, practices/rituals, chants, music, songs and dances, stories, traditional arts and crafts, indigenous games. In 2009, the Indigenous Peoples' Festival was held in the Visayas, particularly in Roxas City, Capiz, called Dungog, with similar activities and aims. Last year, Dayaw 2010 was held in Metro Manila.

This festival aims to provide venue for indigenous peoples to celebrate the richness of their cultures; allow cultural exchanges that will foster deeper cultural understanding to sustain a culture of peace; provide opportunity to discuss IP rights; give students and other people a chance to deepen their awareness and appreciation of indigenous cultures; recognize the expertise and contributions of indigenous communities; and advocate for the preservation as well as integration of traditional culture into the national cultural mainstream.

Dayaw 2011 is held in cooperation with local governments of Tagum and Davao as well as other LGU's nearby, the National Commission on Indigenous Peoples, Department of Education, Department of Tourism, Department of Interior and Local Government, Department of Foreign Affairs, Commission on Higher Education, Philippine Information Agency, Department of Trade and Industry, the National Commission for Muslim Filipino, SM City Davao, as well as non-governmental, socio-civic and peoples' organizations.

For more details, contact Ms. Marichu Tellano, Chief of the NCCA Planning, Policy Formulation and Programming Division, at 527-2214; or Rene Napenas, Head of the NCCA Public Affairs and Information Office at 527-5529 or 0928-5081056. E-mail us at ncca.paio@gmail.com or visit our Web site at www.ncca.gov.ph.


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Sunday, August 28, 2011

Necro Rites for National Artist Edith Tiempo in Dumaguete City

THE National Commission for Culture and the Arts (NCCA) and the Cultural Center of the Philippines (CCP) pay homage to the late National Artist for Literature Edith Tiempo. Necrological Rites will be held at Dumaguete City on August 29, 2011, 9 a.m., at the Silliman Church and interment at the Dumaguete Memorial Park on the same day. The tribute by the artists community at the CCP will be announced. Tiempo passed away last August 21.

A poet, teacher, fictionist and literary critic, Edith Tiempo was one of the finest writers in English in the country. Her works were characterized by a remarkable fusion of style and substance, of craftsmanship and insight. Her poems were intricate verbal transfigurations of significant experiences as shown in her much anthologized pieces, “The Littlest Marmoset” and “Bonsai”. She was an influential tradition in Philippine literature in English, where Filipino sensibility was fully expressed as exemplified in her Abide, Joshua and Other Stories (1992) and His Native Coast (1979) which won the CCP Award for the Novel.

Together with her late husband Edilberto K. Tiempo, she founded and directed the Silliman National Writers Workshop in Dumaguete City, which until now, has trained and produced some of the country’s best creative writers in English. She was a recipient of several awards from the Don Carlos Palanca Memorial Awards for Literature and the Philippines Free Press literary contests and the Elizabeth Luce Moore Distinguished Asia Professor Award (1978) and has received grants and fellowships from Rockefeller Foundation, the Ford Foundation and the Asia Foundation. She was listed in the Princeton Encyclopedia of Poets and Poetics, the International Authors and Writers Who’s Who, (Cambridge,1977), the Contemporary Living Poets in the English Language (London) and the Marquis’ Who’s Who in the World (Philadelphia, 1998).

Edith Tiempo was conferred the National Artist Award for Literature in 1999. She is survived by son Maldon, daughter Rowena T. Torrevillas, son-in-law Lemuel and grandchildren.

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Wednesday, August 24, 2011

NCCA Opens ManilArt 2011

The National Commission on Culture and the Arts (NCCA) and Bonafide Art Galleries Organization (Bago) will open ManilArt 2011 on Aug. 24-27 at the NBC Tent in Bonifacio Global City, Taguig.

ManilArt 2011, the 3rd Philippine International Art Fair, is the country’s biggest gathering of galleries with diverse and vibrant art expositions.

“Viewers shall witness a groundbreaking launch—the simultaneous opening of various art exhibitions during gala night,” ManilArt 2011 director Delan Lopez Robillos said.

“Exhibitors will not simply be showcasing the works of artists, but each gallery shall be presenting a conceptualized art exhibit,” he added.

The maiden run of ManilArt in 2009 had a painting of a jeepney by Onib Olmedo as its banner piece, while 2010 bared Andres Barrioquinto’s “Crystal Gazer.”

This year, ManilArt is privileged to have the artistry of highly sought painter Elmer Borlongan with his obra “Batang Edsa.”

This year's fair features more than 300 represented artists and hundreds of artworks on display. ManilArt 2011 seeks to merge the visual arts with other disciplines.

Programs will include a modern-dance interpretation of Borlongan’s art by premier contemporary-dance maven and Dance Forum founder, Myra Beltran during the gala.

In conjunction with promoting Philippine art, the art fair’s goals are to compound visitorship and strengthen support from both local and foreign exhibitors.

A series of live sketching sessions will run every Saturday from 10:00 a.m. to 2:00 p.m. at Mercato Centrale in Bonifacio Global City.

Artists will show how they perceive the same subject as they create their work from scratch. Among the featured artists are NCCA-National Committee on Visual Arts head Nemiranda and artists Al Perez, Jun Martinez, Cee Cadid, and Raul Isidro.

For details, call 5316231 or 0917-8511333, or e-mail info@manilart.com. Visit www.manilart.com.
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Wednesday, August 10, 2011

NCCA Celebrates Indigenous Peoples’ Month in Davao Region

The National Commission for Culture and the Arts’ (NCCA) annual celebration of National Indigenous Peoples’ Month moves to Davao Region in Mindanao with Tagum City as its main venue. This October, Dayaw: Indigenous Peoples Festival 2011, under the auspices of the NCCA’s Subcommission on Cultural Communities and Traditional Arts and Mindanawon Foundation, in partnership with local governments, government agencies and the private sector, focuses the spotlight on the country’s indigenous peoples, celebrating their arts and ways of life, discussing important issues and making more people aware of the richness and importance of indigenous cultures.

The leaders and representatives of more than 100 indigenous peoples of the Philippines will converge together on October 6-10, 2011 to showcase their rituals, performing arts, cuisines, games, crafts and others. Additionally, they will be joined by delegates from Southeast Asian countries in simultaneous exchange and interactive activities such as performances, exhibitions, forums, lecture-demonstrations, workshops on traditional crafts and cuisines and indigenous games.

This year, Dayaw aims to celebrate the cultures of the Filipino people as well as those of the visiting foreign delegates by “understanding the commonalities of the various indigenous peoples.” It also aims to “strengthen/broaden the awareness, appreciation and pride of all Filipinos for our own traditional culture in the context of cross-cultural interactions in a global society.

With the theme “Paghabi ng Ating Pagkakatulad Tungo sa Kapayapaan” (Interweaving Our Commonalities Towards Peace), the festival features many components such as Tanghalang Makulay (a ritual and performing arts festival), Salu-salong Sarap (a food festival), Mga Habi ng Panaginip (an arts and crafts exhibit, focusing on basketry, textile and mat weaving), Sama-sama sa Tuwa (games/sports), and Usapang Dangal at Likhang Paghayag (forum and creative workshop on peace and unity).

The celebration is in consonance with Presidential Proclamation 1906, declaring October as National Indigenous Peoples’ Month. The NCCA has been holding major festivals for several years now in Luzon, Visayas and Mindanao. In 2007, Kalimudan: Panaghi-usa sa Mindanao (Mindanao Indigenous Peoples’ Gathering) held in Davao City in November, featured Mindanao’s ethnic groups. The following year, Timpuyog: Indigenous Peoples’ Month Celebration in Luzon was held in Santiago City, Isabela, focusing on Luzon ethnic groups and featuring performances, arts and crafts workshops, cultural awareness lectures, forums, tours, and a theme-park exhibition featuring the traditional houses, cultural resources, practices/rituals, chants, music, songs and dances, stories, traditional arts and crafts, indigenous games. In 2009, the Indigenous Peoples’ Festival was held in the Visayas, particularly in Roxas City, Capiz, called Dungog, with similar activities and aims. Last year, Dayaw 2010 was held in Metro Manila.

This festival aims to provide venue for indigenous peoples to celebrate the richness of their cultures; allow cultural exchanges that will foster deeper cultural understanding to sustain a culture of peace; provide opportunity to discuss IP rights; give students and other people a chance to deepen their awareness and appreciation of indigenous cultures; recognize the expertise and contributions of indigenous communities; and advocate for the preservation as well as integration of traditional culture into the national cultural mainstream.

Dayaw 2011 is held in cooperation with local governments, National Commission on Indigenous Peoples, Department of Education, Department of Tourism, Department of Interior and Local Government, Department of Foreign Affairs, Commission on Higher Education, Philippine Information Agency, Department of Trade and Industry, National Commission for Muslim Filipino, SM City Davao, Abreeza Ayala, as well as non-governmental, socio-civic and peoples’ organizations.

The NCCA is led by its chairman, Prof. Felipe de Leon, Jr., and Malou Jacob as executive director, with Commissioner Joycie Dorado-Alegre as SCCTA head.
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