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Showing posts with label cinekatipunan. Show all posts
Showing posts with label cinekatipunan. Show all posts

Wednesday, October 31, 2007

Cinekatipunan in November 2007

Cinekatipunan in November 2007 (1st Year Anniversary)
5-7PM, Mag:net Cafe Katipunan
www.magnet.com.ph

3 (Sat) JP Carpio: HILO (Premiere)
5 (Mon) Unitel Monday: Lino Brocka: Insiang (1976, 1
h. 35min.)
6 (Tue) Cinekatipunan 1st Year Anniversary Celebration
6PM (Invited
Guest of Honor: Tony Gloria)
7 (Wed) Films by Visual Artists: FRONT FLIP GONE BAD
feat Jed Escueta,
Arvin Viola & Pow Abella(Presented by Poklong Anading)
8 (Thu) Noriel M. Jarito: Impen, OFW, Bagong Bayani o
Baliw na Bayani,
BINGO, Ex-OFW
9 (Fri) Films by the UP Students of Ramon Bautista
10 (Sat) Deyb Cecilio: BACLARAN (Premiere)
12 (Mon) Unitel Monday: Pablo Biglang-awa: Inang Yaya
(2006, 1h.
40min.)(Q&A with filmmaker to follow)
13 (Tue) Leestory
14 (Wed) Archiving Artist-run Spaces: Future Prospects
/ Gary Ross
Pastrana
(Presented by Ringo Bunoan)
15 (Thu) Topel Lee: SHORT FILMS
16 (Fri) Nani Naguit Short Films
17 (Sat) Films from the Philippine High School for the
Arts
19 (Mon) Unitel Monday: Mark Meiley: La Visa Loca
(2005, 1h.
45min.)(Q&A with filmmaker to follow)
20 (Tue) Arkipelago / Malu Maniquis: Music Video Album
of Progressive Songs (Rage by The Jerks, Awit ng
Kalayaan, Dakilang
Pakikibaka by Tambisan sa Sining, Kultura ti Wayawaya,
Bumangon Ta'y
Amin by Salidummay, Gyera! By Agaw Agimat, Puno sa
Gubat by Joey Ayala
at ang Bagong Lumad, Get Up, Stand Up by Bob Marley &
the Wailers, The
Storm by Chikoy Pura, Sumulong ka, Bayan by Patatag)
21 (Wed) Archiving Artist-run Spaces: Junk Shop /
Russ and Eng Chan
(Presented by Ringo Bunoan)
22 (Thu) Khavn: KRISTO (Premiere)
23 (Fri) Rock the Rehas: 4 Short Films on Philippine
Jails from Rock
Ed Philippines
24 (Sat) Films from Miriam College and Philippine High
School for the
Arts
26 (Mon) Unitel Monday:Ramona S. Diaz: Imelda (2004,
1h. 43 min)
27 (Tue) Cinekalikasan (Presented by Lisa Ito)
28 (Wed) Archiving Artist-run Spaces: Pinaglabanan
Gallery / Agnes
Arellano (Presented by Ringo Bunoan)
29 (Thu) Short Films by Sigrid Andrea Bernardo,
Felinda Bagas, Vivian
Limpin
30 (Fri) Pow Martinez: NUN RADAR PARTY
1 Dec (Sat) GARISH BARISH (Presented by Poklong
Anading)
Tom Daniel Reiersen (Norway)
Leonor Torres (Spain)
Sigmund Skard (Norway)
Iselin Linstad Hauge (Norway)
Ragnhild Johansen (Norway)
Endre Tveiten (Norway)
Ayman Al Ayraq (Palestine)
Cristina Pedreira (Spain)
Lucia Rivero (Spain)
Silje Linge Haaland (Norway)
Margarida Paiva (Portugal)
Hanna Therese Boyesen (Norway)
Jet Pascua (Philippines)
Read More »

Monday, June 25, 2007

This Week @ Cinekatipunan (June 25-30, 2007)

Cinekatipunan This Week: Cuban Docu, Cinekalikasan, Experimental Shorts, Kidlat De Guia, Elvert Banares

THIS WEEK AT CINEKATIPUNAN
June 25 to 30, 2007

This week, Cinekatipunan forays into Latin American
works with its Cuban program on Monday, June 25. The
Cuban fim program features the documentary Mission
Against Terror, an indictment of the war on terror
being unleashed by covert elements from the United
States against people's fighting for sovereignty and
freedom from terror. The film is to be presented by
Amistad Philippine-Cuban Friendship Association.

Tuesday's environmental film program, Cinekalikasan sa
Cinekatipunan, will feature short works on the Pasig
river and the people's right to water by campus-based
filmmakers and a video-documentary produced by IBON
Foundation.

A Midsummer's Night of Dreams, June 27's marathon
screening of experimental films, will feature works by
around twelve filmmakers, including Sherad Sanchez,
Claudia Staerk, Vivian Limpin,
Donal Foreman, Moshe & Katrin, Jasmine Nadua Trice,
Nerissa Picadizo, Khavn Dela Cruz, Kiri Dalena,
Emmanuel Dela Cruz, Jane Osborne, and Tessa de
Guzman. The program is being curated by
Afghan-American filmmaker Waise Azimi. The program
precedes mag:net's acoustic night at 7 pm, making
Wednesday a non-stop night of film and good music.
Kidlat de Guia show his works on Thursday.

Capping the weekday is the world premiere of the short
film Nykto by Elvert de la Cruz Bañares is on the
Friday, June 29, program. Nykto will be shown
alongside four other selected works by the filmmaker
in the eXtermination3.

Held Mondays to Saturdays at Mag:net Café
Katipunan,Cinekatip unan screenings start at 5:00 PM.
While the film screenings are free, viewers are
encouraged to make voluntary contributions for the
honoraria of the featured filmmakers. For questions or
comments about Cinekatipunan write to
sinag_haraya@yahoo.com.

Cinekatipunan programs precede Mag:net Café's nightly
holding of Live Performances by well-known and
emerging bands and musicians. Mag:net Café is located
along Katipunan Avenue (fronting Miriam and Ateneo) in
Quezon City. For more inquiries please call 9293191 or
visit www.magnet.com.ph.

PROGRAM

June 25 (Monday)
Cuban Film Program
Bernie Dwyer and Roberto Ruiz Rebo: MISSION AGAINST
TERROR
To be presented by the Philippine-Cuban Friendship
Association (Amistad-Philippine s)

Mission Against Terror
48 mins | Documentary

Five Cuban men are in prison for being anti-terrorists
in the country that declared war against terror.

Cuba has every right to protect its country and people
from ultra-right groups in Miami that have killed
scores in their island right under the US government’s
nose. So were known terrorists at large in Miami
monitored by Cuban patriots, who also passed
information to US authorities. Could there have been a
mix up? Instead of the terrorists, the anti-terrorists
were abducted and locked up.

The Cuban Five (Gerardo Hernández, Ramón Labañino,
Fernando González, René González and Antonio Guerrero)
were illegally held in US jails since 1998 and denied
family visits and bail after almost two years of being
in solitary confinement. Lawyer Leonard Weinglass
calls this case a political one, and a “violation”
from the start.

“Mission Against Terror” maps Cuba ’s 48-year struggle
against terrorism and the clamor for the freedom of
Cuban 5. Its use of historic footage and interviews
with experts and families of the accused make moving
portraits of the Cuban patriots and elusive justice in
the US .

Bernie Dwyer and Roberto Ruiz collaborated on this
critically acclaimed Irish-Cuban documentary that
debuted at Havana ’s 26th Festival of New Latin
American Cinema in December 2004.

Following the film, former political prisoner and
member of the FREE THE CUBAN FIVE Committee of Amistad
(Philippines- Cuba Friendship Association) Donato
Continente will present on the issue and inform on how
individuals can become involved. Cuban Ambassador
H.E.Jorge Rey Jimenez is also invited to give his
remarks.

June 26 (Tuesday)
Sinekalikasan Program

This third screening of environmental films will
feature two works on the state of the Pasig River by
students of the University of the Philippines College
of Mass Communications (UP CMC) and a
video-documentary on the people's right to water by
socio-economic think tank IBON Foundation.

Kilometro Bente Siyete: Industriya sa Basura at Suba
(2007| 21 mins)
A student documentary on the effects of toxic heavy
metals on the health of the community and the
environment along Pasig river. [Likang Likas
Productions]

Tabing-Ilog (Riverside)
(2007| 11 mins)
A student documentary feature on the everyday lives of
the communities and workers along the Pasig River as
they strive to live a normal life despite the degree
of waste dumping and pollution in the area. [Elephant
Child Productions]

Tubig: Buhay o Tubo? (Water: Life or Profit?)
(2006|Digital video|14 mins)
The right to water is the right to life. Water should
be used for meeting people's needs—for their
livelihood and for their daily use. But government
denies farmers and fisherfolk of water for livelihood
in favor of the interests of big private and foreign
investors' use of the nation's water resources.
[Directed by Miles Quero Asa, Philomel Buena and EJ
Mijares | Written by Hilda Rosca Nartea and Miles
Quero Asa | Produced by IBON Foundation Inc.]

June 27 (Wednesday)
A Midsummers Night of Dreams: Experimental films
curated by WAISE AZIMI
Featuring
Sherad Sanchez - Iyak Ni Maria (7 minutes)
Claudia Staerk – Iceland (20 minutes)
Vivian Limpin – Silig (5 minutes) Kunyang (20 minutes)

Donal Foreman – Under (2 minutes) When I Was 18 (8
minutes) Film By The Sea (3 minutes)
wsh (3 minutes) -
Moshe & Katrin - Mga Bagay na May Pakpak (20 minutes)
Jasmine Nadua Trice
Nerissa Picadizo – Stressful X (20 minutes)
Khavn Dela Cruz – Our Daily Bread (?) Literature (10
minutes)
Kiri Dalena – Red Saga (20 minutes)
Emmanuel Dela Cruz – Imagining Edsa (5 minutes)
Tatlong Lamok (9 minutes)
Jane Osborne – Drive (15 minutes)
Tessa de Guzman - The Perfect Couple (1 minute/30
seconds)

Waise Azimi graduated from Bard College in 2005 with a
degree in sociology. In 2003, Waise Azimi shot a
documentary titled: Afghanistan After, about how life
has changed two years after the fall of the Taliban.
Most recently he is working on the post-production of
documentary that covered the training of a young group
of Afghan recruits as they struggled through the
Afghan National Army's training program at the Kabul
Military Training Center. Waise Azimi has grown up in
Manila and loves the city and its people.

June 28 (Thursday)
Works by KIDLAT DE GUIA

June 29 (Friday)
eXtermination3: selected films by Elvert de la Cruz
Bañares

Ang Bayan Kong Payapa [My Peaceful Country]
(4 min)
This is the state of the nation cycle. (Originally, a
2-channel video installation for a CCP-exhibit
organized by TutoK Karapatan), the work was re-edited
for normal screening pleasures.)

astrangiam
(7min)
Mind over matter. Perception over fact. Life over
death. Shot in Casio Exilim EX-53 still camera,
'astrangiam' meditates on the parallelisms of time,
spontaneity, assumptions, dreams and elements of
nature.

Sukdulan Ng Pagrahuyo sa Dambana ng Sirenang Walang
Ulo
[The Zenith of Seduction at the Altar of the Headless
Mermaind]
(12 min)
Poetry on video tackling themes of innocence, vices
and self-destruction. Shot in 1993 and re-constructed
in 2006.

Itiwarik: Talu-saling Batas [Invert: The Temperamental
Law]
(7 min)
A student piece (way back in 1994) exorcising (and
criticizing) the relationship between man and society.
Is man living up to the decays of society or is he
poised to discover that he himself is the destroyer of
his path?

Nykto
(12 min)
Emptiness can be an equation of one's search for
better beginnings. It seems that one of the basic
wonders of life is to enter dark tunnels to be able to
separate the hypothetical from the not. A loose
adaptation of the poem "Darkness" by Arris Rivera.
* World Premiere

Elvert de la Cruz Bañares is a filmmaker, curator,
educator and multi-media artist. His films have been
screened in underground film festivals in the United
States, Australia, Canada, Singapore and Japan. He
curated first time Filipino programs for the
'Queerfest: Vancouver Gay & Lesbian Film Festival' and
the 'Antimatter Underground Film & Video Festival' in
Victoria, Canada. He has, by far, written, produced
and directed 43 shorts (he calls them his "little
low-budget films"). "Gemini" is the only Filipino Film
in Official Selection at the Antimatter Underground
Film Festival 2004 in Canada and was presented as an
installation at the Daejon Museum of Art in South
Korea in 2005. Twice he was sent as Philippine
Delegate to Filipino film festivals in China
(Beijing'05 and Shanghai'06) . He is currently
finishing his two full-length films, 'Alipo-op Sa
Animo' (Fog In The Consciousness) and 'The Atomika
Settlement: Devastation Canvas # 5'. He is the
festival director of eKsperim[E]nto Festival of Film,
Video & New Media and the 2006 ASEAN Film Festival (at
The Podium).

June 30 (Saturday)
TO BE ANNOUNCED
Read More »

Wednesday, June 13, 2007

Cuban Documentary @ Cinekatipunan on June 25

CINEKATIPUNAN
June 25, 5-6:30 PM

Mission Against Terror
48 mins | Documentary

Five Cuban men are in prison for being anti-terrorists
in the country that declared war against terror.

Cuba has every right to protect its country and people
from ultra-right groups in Miami that have killed
scores in their island right under the US government’s
nose. So were known terrorists at large in Miami
monitored by Cuban patriots, who also passed
information to US authorities. Could there have been a
mix up? Instead of the terrorists, the anti-terrorists
were abducted and locked up.

The Cuban Five (Gerardo Hernández, Ramón Labañino,
Fernando González, René González and Antonio Guerrero)
were illegally held in US jails since 1998 and denied
family visits and bail after almost two years of being
in solitary confinement. Lawyer Leonard Weinglass
calls this case a political one, and a “violation”
from the start.

“Mission Against Terror” maps Cuba ’s 48-year struggle
against terrorism and the clamor for the freedom of
Cuban 5. Its use of historic footage and interviews
with experts and families of the accused make moving
portraits of the Cuban patriots and elusive justice in
the US .

Bernie Dwyer and Roberto Ruiz collaborated on this
critically acclaimed Irish-Cuban documentary that
debuted at Havana ’s 26th Festival of New Latin
American Cinema in December 2004.

Following the film, former political prisoner and
member of the FREE THE CUBAN FIVE Committee of Amistad
(Philippines- Cuba Friendship Association) Donato
Continente will present on the issue and inform on how
individuals can become involved. Cuban Ambassador H.E.
Jorge Rey Jimenez is also invited to give his remarks.
Read More »

Monday, June 11, 2007

Cinekatipunan This Week: IFCT Dance Films, ST Exposure, Bicol Xpress, Sabayton, Khavn, Cobangbang, Kidlat Tahimik

THIS WEEK ON CINEKATIPUNAN
June 11 to 16, 2006

Cinekatipunan/ mag:net continues with its
collaborations with the International Festival for
Cinema and Technology (ICTF) by featuring six dance
film's from the ICTF's program on Monday, June 11.

Cinekatipunan' s Independence Day program on June 12
features two documentaries by Bicol and Soutern
Tagalog-based video groups takes on one of the hottest
political topics today: the killings of Philippine
activists which have drawn condemnation from various
sectors and the international community.

Wednesday's program features visual artist Lena
Cobangbang's video-documentation of happenings at the
independent art space Big Sky Mind, while the program
on June 14 will feature a retrospective of quirky,
satiric productions by the Nerd World Cinema group,
curated by Jun Sabayton.

Khavn's Pugot will be the sole featured film on
Friday, June 14, Kidlat Tahimik's Turumba caps this
week's program on Saturday, June 15.

Held Mondays to Saturdays at Mag:net Café
Katipunan,Cinekatip unan screenings start at 5:00
PM. While the film screenings are free, viewers are
encouraged to make voluntary contributions for the
honoraria of the featured filmmakers. For questions or
comments about Cinekatipunan write to
sinag_haraya@ yahoo.com.

Cinekatipunan programs precede Mag:net Café's nightly
holding of Live Performances by well-known and
emerging bands and musicians. Mag:net Café is located
along Katipunan Avenue (fronting Miriam and Ateneo)
in Quezon City. For more inquiries please call 9293191
or visit www.magnet.com. ph. #

June 11 to 16 PROGRAM

June 11 (Monday)
DANCE FILMS from the International Festival for Cinema
and Technology (ICTF)
Curated by Marisa Cohen

Deborah VanSlet: RULES OF THE ROAD (Dance Film/Canada)
A dance video on hitchhiking ; a metaphor for the
calculated risk. The video expresses both the
exhilaration and the anxiety associated with taking a
chance and breaking out for parts unknown.
Deborah Kuleff : SALOMON (Dance Film/Australia)
A narrative dance piece that is a record of a woman's
journey to rediscover her past.

Vanessa Libertad Garcia: A TWO WOMEN ONE ACT (Dance
Film/USA)
A dramatic period piece featuring Latin dance

Lynn Shelton: MAGNETIZED (Dance Film/USA)
Music video for Laura Veirs

Fiona Cameron: SEA MAMMAL (Dance Film/Australia)
An atmospheric dance piece featuring a pregnant woman

Passia Pandora: BEYOND TIME (Dance Film/Canada)
"Weaving metaphor into dance, filmmaker Passia Pandora
explores the nuanced world of personal grief."

*Film synopsis from the ICTF's website at
http://www.ifct. org/ifctschedule dance.html

June 12 (Tuesday)
RATED SLEX: Works by Southern Tagalog Exposure and
Bicol XPress

Bicol XPress: HUSTISYA! (Justice!)
(Documentary/ 30mins/2006/ With English subtitles)
Hustisya! (Justice!) investigates the series of human
rights violations of the Macapagal-Arroyo regime in
the Bicol region. One of the cases highlighted by the
documentary is the murder of Pastor Isaias Sta. Rosa
by elements of the 9th Military Intelligence Batalion
of the Philippine Army. Hustisya! shows the
resoluteness of the people in their struggle to defend
their rights and livelihood amidst the violence
perpetrated by government forces.

• BikolXPress is a progressive and alternative media
group in the Bicol Region, Philippines. Visit their
site at http://bikolxpress. wordpress. com

ST Exposure: SULO NG BAGONG PELIKULA
(Documentary/ 36min/2007)
This video-documentary is a tribute to Bayan Muna (BM)
party list, which has faced black propaganda,
persecution, and killings in their pursuit of serving
the toiling and oppressed masses of the Philippines.
Produced by ST Exposure in cooperation with friends of
BM-Southern Tagalog.

• Southern Tagalog Exposure is an independent
multimedia collective of young artists and workers
based in Region IV. Alongside traditionally used
protest visual art forms such as street theater, mural
paintings, sculptural effigies, ST Exposure
appropriates multimedia (video/film, print, and radio)
technology as medium to advance social change by
arousing the larger society on pressing issues
concerning the marginalized and underserved sectors in
the region. (from www.stexposure. tk)

June 13 (Wednesday)
LENA COBANGBANG: Remembrance of Things Fast Becoming
Zombies
Presented under the Films by Visual Artists Programme
(curated by Poklong Anading)

Visual artist Lena Cobangbang presents collected raw
and unedited videos of her stint as an
artist-in-residence at Big Sky Mind from 2003 to 2004,
documenting "our former faces, our former selves from
a long time ago on our evolution/devolutio n to lofty
sobriety". These are videos that anyone can be
languorously drunk with. Good luck with the hangover,
though.

• Lena Cobangbang is a practicing artist, writer, arts
organizer, researcher and curator. Over the years she
has been cofounder and artist of different artist-run
spaces in the Philippines including the Surrounded By
Water, Big Sky Mind Artists Projects Foundation Inc
and the Future Prospects Art Space.

June 14 (Thursday)
NERD WORLD CINEMA RETROSPECTIVES
Curated by Jun Sabayton

Watch the early works of the masters of mockery and
parody in the history of philippine idiocracy: Ramon
Bautista's early works on video8 format and digital
video, R.A. Rivera's Collection of early shot film and
videos, and works by Ramil de Jesus and Tomas Matic, "
the original members of nerdworld cinema".

• Jun Sabayton is a director for television,
photographer, and production designer, and a mainstay
at the Mowelfund Film Institute’s roster of active
alumni. In early June 2005, he was proclaimed as Best
Production Designer for the film "Ebolusyon" by Lav
Diaz.

June 15 (Friday)
KHAVN: Pugot and Literature

PUGOT (Headlless)
(Philippines/ digital film/15 mins/2002)
Text by Lourd De Veyra
From http://www.kamiasro ad.com/khavn/ pugot.htm

Given the standards of The Twelve and Greaseman, Pugot
(Severed) emerges to be Khavn's most "conventional"
film, in comparison to his other works. Pugot shows a
Khavn seemingly more in control of his cinematic
kinetics.

This is a more compact, slightly straightforward story
of a relationship ending in macabre tragedy. But here
we still do not see a linear narration. Instead, the
film alternates between two parallel situations: a
room where we witness the freely improvised dialogue
between the lead character and his wife; then the
streets at the break of morning, where Khavn's camera
follows the image of a dejected, desultory man, long
hair cascading down his face and blood flowing down
his jeans. In the darkly moody opening credits, we see
a man holding a knife. It is implied that he castrated
himself, and the act of emasculation somewhat becomes
a central metaphor. When he wanders aimlessly through
the empty avenues, we hear the minimal piece of
musical scoring atmospheric electric guitar riffing
courtesy of legendary Pinoy rock axeman Jun Lopito.

34th Rotterdam International Film Festival, 2005/ 17th
Singapore International Film Festival, 2004/ 6th
Cinemanila International Film Festival, 2004/ New York
Filipino Film Festival, 2003

• KHAVN is a filmmaker, writer, and musician living in
Quezon City. As a film director, Khavn has made 16
features and more than 60 short films. He has been the
festival director of the .MOV International Digital
Film Festival, the first digital film festival in the
Philippines and a founding member of the Philippine
Independent Filmmakers Multi-Purpose Cooperative
(Indie Coop), an alliance of film professionals from
all parts of the Philippines. (Full text of Director's
Bio may be read at www.kamiasroad. com/khavn/ bio.htm)

June 16 (Saturday)
KIDLAT TAHIMIK: Turumba

Turumba (1984)
Set in a tiny Philippine village, Tahimik's Turumba
focuses on one family which traditionally made
papier-mache animals to sell during the Turumba
religious festivities. When they get a huge order, the
whole life of the family is changed, as Tahimik wryly
observes the "creation of the proletariat. "

• Kidlat Tahimik is a critically-acclaime d movie
director, writer and actor whose films are commonly
associated through their critiques of neocolonialism
with the Third Cinema movement. (More biographical
details on
http://en.wikipedia .org/wiki/ Kidlat_Tahimik)
Read More »

Friday, June 01, 2007

Cinekatipunan in June 2007

Cinekatipunan
in
June 2007

Cinekatipunan will resume its daily screenings
starting on June 4, 2007. The new screening time is from 5
PM to 6:30 PM. We would like to acknowledge the over
200 Filipino, Malaysian, Taiwanese, Cambodian,
Singaporean, Canadian, Australian, American, Korean,
Thai and Slovenian film artists, curators, critics,
teachers and organizations for their participation in
Mag:net Cinekatipunan since its first screening in
November 2006, including:

Cesar Hernando, Elvin Valerio, Raymond Red, Jon Red,
Ditsi Carolino, Kidlat Tahimik, Nick Deocampo, Jeck
Cogama, Mark dela Cruz, Sigrid Andrea Bernardo, You
Porny, Sol Garcia, Tanya Jamon, Tey Clamor, Dohna
Sarmiento, Glenn Ituriaga, Joy Domingo, Ging Flores,
Rianne Hill Soriano, Bor Ocampo, JB Corrioso, Teddy
Co, Khavn dela Cluz, Michael Sandoval, Keith Sicat,
Sari Dalena Sicat, Camilla Griggers, Milo Sogueco,
Peter Chua, Tad Ermitano, John Torres, Raya Martin,
Lav Diaz, Mark Gary, Denisa Reyes, Roberto Chabet,
Manuel Ocampo, Conrado Velasco, Poklong Anading,
Jevijoe Vitug, Lena Cobangbang, MM Yu, Jayson
Oliveria, Louie Cordero, Kaloy Olavides, Yason Banal,
Ranelle Dial, Robert Langenegger, Lea Lim, Cocoy
Lumbao, Yasmin Sison, Gary Ross Pastrana, Tikoy
Aguiluz, Elvert de la Cruz Bañares, Jay Ticar, Quark
Henares, Mario Cornejo, Monster Jimenez, Paolo
Villaluna, Ellen Ramos, Ricky Orellana, Jun Sabayton,
Sherad Anthony Sanchez, Roxlee, Howie Severino,
Briccio Santos, Sigfreid Barros Sanchez, Seymour
Barros Sanchez, J Pacena, Dino Manrique, Malcolm Guy,
Marie Boti, Eylem Kaftan, Garry Beitel, Barry Lazar,
Rod Prosser, UP Cinema As Art Movement, UP Cinema Arts
Society, Ateneo Loyola Film Circle, UST Moving
Concepts, DLSU Dasmarinas 24 FPS, UPLB Zoom Out,
MayDay Productions, Samasama Group, International
Festival For Cinema and Technology, World Dance
Alliance-Philippine s, UP Sining at Lipunan, University
of Makati Film Society, Southern Tagalog Exposure,
Tudla Productions, Sine Patriyotiko, Kodao
Productions, Sinekalye, Dempster Samarista, Libay
Linsangan Cantor, Ed Lejano, Roland Tolentino, Julie
Lluch, Mes de Guzman, Ruello Lozendo, Joy Domingo,
Maisa Demetillo, Jess Santiago, Auraeus Solito, Hai,
Jimmy Flores, Michiko Yamamoto, Raymond Lee, Romeo
Candido, Elli Zafari, Wi Ding Ho, Tom Shu Yu Lin,
Cheng Yu-Chieh, Dave Frazier, Sean Scanlan, Urban
Nomad Film Festival, Nai Rui Chng, Martyn See, Gek Li
San, Ho Choon Hiong, Jacen Tan, Milo A. Paz, Lyle
Sacris, JP Carpio, Ron Magbuhos Papag, Carlitos
Siguion-Reyna, Paul Morales, Marlene Burog, Nika
Bohinc, Alexis Tioseco, Jan Cvitkovi?, Felinda Bagas,
Pam Miras, Armi Rae Cacanindin, Gato Borrero, Camillo
Guanzon, Dave Cuenca, Angelo Alejandro, Celine Roque,
Gabriel Aldecoa, Jan Ludwig Go, Paolo Martinez, Aya
Cadiz, Nolan Rae S. Fabular, Tracy Beverly G. Santuyo,
Michael L. Custoya, Janina Myka S. Mercado, Monica Lea
Timbas, Sandra A. Santiago, Edwin Dalisay JR, Chantily
Tan, Francis John P. Pacheco, Natasha Karla C.
Arevalo, Julius Sebastian, Francis Raphael V. Nuguit,
Benedict Edward Manalo, Karen Manalastas, Patrick
Miguel Jimenez, Val Jayson Dimayuga, Christian
Tablazon, Karl Fredrick Castro, Judy Cariño, Emmanuel
Palo, Kristine Mariel Icban, Carmi Garcia Raymundo,
Alina Co, Malyn Punay, David Diuco, Karen May Ocampo,
Emelina A. Aguilar, Yam Palma, Sarah Gacer, Rory
Rebustes, Angela Tañada, Melissa Magalong, Rex Yadao,
Liarnie Ostani, Tomas Estrera III, Mia Buenaventura,
Emman Dela Cruz, Rafael de Leon, Jason Confesor, Love
Nakagawa, Dino Mark Reyes, Anton Miguel Halageña, JR
Siojo, Paolo Miguel Lopez, Raine Orallo, Edwin
Guillermo, ArtFarm Asia, Ramon del Prado, Avid
Liongoren, Gian Mawo, Rastle Lozano, Jericho Añonuevo,
Karen Abarca, Katz Delfin, JM Quiblat, Annie Beldia,
Chris Manjares, Rembrandt Vocalan, Richie Quirino,
Collis Davis, Mark Misa, Joaquin Misa, Bulan Luna, Ray
Gibraltar, Lai Crisostomo, Ruel Bimuyag, Tommy
Hafalla, Chaithawat Tulathon, Luis Quirino, Paula
Cadsawan, Jaypee Zuniga, Jopay Guillermo, Daniel
Matutina, Brendan Goco, Qubry Quesada, Dong-Hyun Kim,
Seoul Independent Film Festival, Jin-sung Choi,
Seong-sook Kim, Ming-Chieh Sung, Lee Seok-hoon, Dong
Won, Marisa Cohen, Neeta Mittal, Paul Lazarus, Stefan
Georgiou, Jean-Pierre Jacquet, Carla B Guttmann, Eva
Colmers, Chris Dowling, Deborah VanSlet, Deborah
Kuleff, Vanessa Libertad Garcia, Lynn Shelton, Fiona
Cameron, Passia Pandora, Anino Shadowplay, Don
Salubayba, Datu Arellano, Teta Tulay, JT Pandy, Juan
Miguel Sevilla, Vivian Limpin, Waise Azimi, Kaity
Chua, Mackie Galvez, Jelise Chung, Ma. Katrina R. Tan,
Fairuz Sulaiman, Chi Too, Ng Ken Kin, Crystal Woo,
Sidney Tan, Tony Pietra, Mien Lor, Amy Lim, Margaret
Bong, Nadiah Hamzah, Rajan Paramesran, Umi Salwana
Omar, Mak Wai Hoo, Lam Li, Amir Muhammad, James Lee,
Sharaad Kuttan, Tan Chui Mui.

Cinekatipunan June 2007
Screening Time 5:00-6:30 PM
Mag:net Gallery Café Katipunan
www.magnet.com.ph

4 (M) International Festival for Cinema and Technology
Curated by Marisa Cohen
Neeta Mittal: WINGS OF LEGACY (Dance Film/ USA)
Paul Lazarus: DESPERATE HORSEWIFE (Musical/USA)
Chris Dowling: THE PLIGHT OF CLOWNANA (Dance Film/USA)

5 (T) Raz dela Torre: LABADA (The Laundry)
Felinda Bagas: PARA SA KABATAAN
6 (W) Conrado’s Cabinet
7 (Th) Avid Liongoren’s ROCKETSHEEP
(Music Videos)
8 (F) Moro Film Program
Gutierrez "Teng" Mangansakan II
9 (S) Milo Sogueco: GROOVY: THE COLORS OF PACITA ABAD
(Documentary)
11 (M) International Festival for Cinema and
Technology
Curated by Marisa Cohen
Deborah VanSlet: RULES OF THE ROAD (Dance Film/Canada)

Deborah Kuleff : SALOMON (Dance Film/Australia)
Vanessa Libertad Garcia: A TWO WOMEN ONE ACT(Dance
Film/USA)
Lynn Shelton: MAGNETIZED (Dance Film/USA)
Fiona Cameron: SEA MAMMAL (Dance Film/Australia)
Passia Pandora: BEYOND TIME (Dance Film/Canada)
12 (T) RATED SLEX
Bicol Xpress: HUSTISYA! (Justice!)
(Documentary/ 30mins/2006)
ST Exposure: SULO NG BAGONG PELIKULA
(Documentary/ 36min/2007)
13 (W) Films by Visual Artists (Curated by Poklong
Anading)
14 (Th) Jun Sabayton’s Nerd World Cinema Retrospective
15 (F) Khavn: PUGOT and LITERATURE
16 (S) Kidlat Tahimik: Turumba
18 (M) Korean Indie shorts
Kyoung-mi Lee: FEEL GOOD STORY
(2004 | Fiction | 16mm | Color | 36min)
Soo-yeon Lee: THE GOGGLE
(2000 | 35mm | Color | 34min)
19 (T) Bong Ramos: HAW-ANG (Before Harvest)
(Narrative/Digital/ 2007)
20 (W) A Midsummer’s Night of Dreams: Experimental
Films
Curated by Waise Azimi
Donal Foreman: wsh(3min)
Jane Osborne: DRIVE (15min)
Jasmine Nadua Trice: UNTITLED (10min)
21 (Th) Sherad Anthony Sanchez: APPLE, ABSTRACTION,
COMING TO PASS, IYAK NI MARIA
22 (F) MALIKOT ANG KAMA-Y/O
Films of Yason Banal
23 (S) Campus-Based Films: University of the
Philippines and University of the East (selected by
Prof. Ramon Nunez and Yason Banal)
25 (M) Cuban Film Program
Bernie Dwyer and Roberto Ruiz Rebo: MISSION AGAINST
TERROR (Documentary)
To be presented by the Philippine-Cuban Friendship
Association (Amistad-Philippine s)
26 (T) Cinekalikasan
Curated by Lisa Ito
27 (W) Mario and Agnes Guzman
28 (Th) Kidlat de Guia
29 (F) Elvert de la Cruz Banares
30 (S) Peque Gallaga and Manny Montelibano: Talking
Heads sa Birhause (Multi-screen video installation/ 30
min)
Curated by Teddy Co
Read More »

Sunday, April 22, 2007

Environmental Documentaries @ Cinekatipunan

KALIKASAN-PNE
KALIKASAN— PEOPLES NETWORK FOR THE ENVIRONMENT
26 Matulungin St. Central District, Quezon City ,
Metro Manila, Philippines
Tel./Fax; +63 (2) 924-8756; E-mail:
kalikasan.pne@gmail.com

You are cordially invited to
CineKalikasan 1.2
Film screenings on environmental issues
April 24, 2007 (Tuesday), 5:30 – 7 PM
Mag:net Gallery and Café
AGCOR Building, 335 Katipunan Ave. (fronting Miriam
and Ateneo), Quezon City

Program

The Green Guerillas: The Fight for the Philippine Rain
Forest
Philippines/ Germany/New Zealand, 1995
DV Video, 30 minutes, with subtitles
Directed by Rod Prosser
Production companies: Vanguard Films / WDR, Cologne

In 1994, New Zealand filmmaker Rod Prosser was
commissioned by German television to report on the
efforts of the underground liberation movement to save
the country's rainforest together with the tribal
people of southeast Mindanao from the chainsaws of
multinational timber corporations. The resulting film
is a documentary which pushes the boundaries of the
reportage form to present the fight for the
environment from the perspective of indigenous
revolutionaries.

Sabidong ti Balitok (Toxic Gold)
Philippines, 2005
22 minutes, with subtitles
Directed by Judy Cariño and Emmanuel Palo, with Tan-aw
Multimedia Collective, Save the Abra River Movement
(STARM), Montanosa Relief and Rehabilitation Service
(MRRS), Health Action and Information Network (HAIN)

Sabidong Ti Balitok presents the effects of the
Lepanto Consolidated Mining Company's operations on
the water, earth, air and lives of people living along
the Abra River. It tells the story of the fiery
people's struggle against environmental destruction,
corporate mining and the plunder of the people's
resources.

Agos
Philippines, 2003
18 minutes
Directed by Tomas Estrera III
The filmmaker's undergraduate thesis at the University
of the Philippines College of Fine Arts, Agos is a
video documentary about the effects of the San Roque
Multipurpose Dam project—the largest hydroelectric
irrigation project in Asian history and the 12th
highest dam of its kind in the world—on the Ibaloi
Community and the Agno River in Northern Philippines.

Environmental Documentaries @ Cinekatipunan

Cinekalikasan is a project initiated by Kalikasan
People's Network for the Environment (Kalikasan-PNE)
aiming to popularize various environmental and peoples
struggles through film screenings in different venues.
This screening at mag:net Katipunan, a
bookshop/gallery/ café and home to the Cinekatipunan
film project*, will be the first in this year's
series. While the film screenings are free, the
audience is encouraged to give donations for the
benefit of the featured filmmakers. Food and drinks
may be bought at the café.
Read More »

Monday, April 16, 2007

This Week @ Cinekatipunan (April 16-21)

THIS WEEK AT CINEKATIPUNAN
April 16 to 21, 2007

This April, CINEKATIPUNAN presents the second phase of
Mag:net’s collaboration with independent and
contemporary dancers and choreographers in line with
the celebration with the International Dance Day on
April 29. Foreign and local dance films courtesy of
the International Festival of Cinema and Technology
and Uncensored Bodies will be showcased for three
consecutive Wednesdays (April 11, 18th and 25th)
prior to evening performances by dance and
choreographer communities. This Wednesday’s
Cinekatipunan program features works by Carlitos
Siguion-Reyna, Paul Morales, Romeo Candido, and Keith
Sicat, to be followed by performances by Makiling
Ensemble, Myra Beltran and Airdance starting 9 PM.

In the same line, Monday’s AsiaLunes program (April
16) will feature dance films from Korea and Malaysia.
Tuesday (April 17) sets the tone for the upcoming
Cordillera Day 2007 with a work by activist filmmaker
Ron Papag, featuring people’s theater in the context
of fetad (the Cordillera indigenous people’s
mobilization for war). Thursday (April 19) features
the Films by Visual Artists program with a work by
Cocoy Lumbao, while Nika Bohinc, visiting editor of
the 45-year old film magazine Ekran, will present
award-winning Slovenian film Gravehopping for Friday.
Cinekatipunan caps the week on Saturday (April 21)
with FIRST FILMS by young Filipina filmmakers Felinda
Bagas, Pam Miras and emerging filmmakers from the UP
Film Institute led by Armi Cacanindin.

Held Mondays to Saturdays at Mag:net Café Katipunan,
Cinekatipunan screenings start at 5:30 PM.While the
film screenings are free, viewers are encouraged to
make voluntary contributions for the honoraria of the
featured filmmakers. For questions or comments about
Cinekatipunan write to sinag_haraya@yahoo.com.
Cinekatipunan programs precede Mag:net Café's nightly
holding of Live Performances by well-known and
emerging bands and musicians. Mag:net Café is located
along Katipunan Avenue (fronting Miriam and Ateneo) in
Quezon City. For more inquiries please call 9293191 or
visit www.magnet.com.ph. #

APRIL 16-21 PROGRAM

April 16 (Monday)
Asian Dance Films: Wall (Malaysia) and Hitchiking
(Korea)

James Lee: WALL ( 2006 MiniDV Color 13 min)
Language: Mandarin

Synopsis: Between the Man and his love one lies a
wall. Between the Man and his country lies another
wall. It's just a matter of dialogue and monologue.

"Wall" dance choreography by: Amy Len

Director’s Biography:
Born in 1973, Ipoh, Malaysia. Trained as a graphic
designer. A self-taught filmmaker, he began acting &
directing theatre plays before venturing into video
filmmaking.

"The Beautiful Washing Machine", his fourth
DV-feature, won the Best Asean Feature Award and
FIPRESCI Prize in the 2005 Bangkok International Film
Festival. He also produced Amir Muhammad's award
winning documentary "The Big Durian" and Ho Yuhang's
"Sanctuary".
He also works as a director of photography for
independent shorts and features. Which includes two
award winning works, Tan Chui Mui's "Love Conquers
All" and Azharr Rudin's "Majidee".

http://www.doghouse73pictures.com/sh_wall.html
http://www.doghouse73pictures.com/about.html

Jin-sung Choi : HITCHHIKING (2004 35mm Color
30min 30sec)
Language: Korean

Synopsis: It's the first trip together for a couple
that has been dating for about six months. To get out
of boredom, a guy demands for new kind of excitement
from his girlfriend and 'not she' but 'she' ends up
'hitchhiking' himself.

Director's Statement: I wanted to unfold a story about
'dating is hell' in a dry, fantasy tale, in showing
difficulties in communication and weariness found
after six months in a relationship.

Director’s Biography:
Born in 1975, Ulsan. Graduated from Sugang University,
Department of Mass Communications Independent Film
Production 'Freakshow'

Awards and citations for "Hitchhiking" :
Best Short Film, 3rd Korean Film Award (2004,
Korea)
Jury's Special Mention, Busan Asian Short Film
Festival (2004, Korea)
Best Video Film & Special Mention, 21st Turin
Int'l Gay & Lesbian Film Festival (2006, Italy)
3rd Prize in Press Award for Best Film, 11th
Lyon Asian Film Festival (2005, France)

April 17 (Tuesday)
Ron Magbuhos Papag: FETAD! People’s Theatre Cordillera

FETAD! People’s Theatre Cordillera (65 mins, 2007) - A
cinema verite’documentary- performance. Theatre artists
from Metro Manila and Baguio City engaged in “Peoples
Theatre”, return to the origin of their performance
piece, the Basao Tribe, located in located in Kalinga
Province in Northern Philippines.

Produced by Point of View (POV) Productions for
PAN-AP, MASIPAG and UBINIG

[Direction: Ron Magbuhos Papag; Producer: Aya Santos;
Script: Ron Magbuhos Papag and Edwin Quinsayas]

April 18 (Wednesday)
6 PM: UNCENSORED BODIES - A Dance On Screen Series
Featuring films from the International Festival of
Cinema and Technology, Carlitos Siguion-Reyna, Paul
Morales, Romeo Candido, Keith Sicat

Video works on dance, dance archives. UNCENSORED
BODIES are screenings of Filipino contemporary dance
works that capture the magic of this ephemeral art
form (from http://www.geocities.com/wifibody/) in
collaboration with the International Festival of
Cinema and Technology (IFCT).

IFCT Dance Film Showcase (from
http://www.ifct.org/ifctscheduledance.html)

Wings of Legacy (Directed by Neeta Mittal, USA)
"Wings of Legacy" is the story of two women from a
world full of movement and a heart of dance that has
no boundaries. "Hip-hop and ballet were chosen as
motifs to represent the contradictory entities of
youth and wisdom, ability and disability, life and
death."

The Plight of Clownana (Directed by Chris Dowling,
USA)
It is about a man who has a job as a store's dancing
mascot that is half-clown, half-banana. A dancing
fight begins between the Clown Banana mascot and the
dancing mascot of the competing store across the
street.

Desperate Horsewife (Directed by Paul Lazarus, USA)
Parody of a musical theatre film involving an
unconventional love triangle.

Tiny Dancer (Directed by Stefan Georgiou, UK)
Very rarely do dreams actually come true but that
doesn't make it wrong to have them. How do you deal
with not doing what you love? You Do It.

Contrapunto (Directed by Jean-Pierre Jacquet,
USA/France)
Hand-drawn animation of a dancing couple in Buenos
Aires, exploring the details of the tango.

The Double Woman (Directed by Carla B Guttmann,
Germany)
The Double Woman is a film about a modern dancer who
confronts her childhood in a haunting, carnal dance.
As she contorts and moves her body, childhood ghosts
and memories are released. It is a film about the
secrets the body hides and how one woman frees herself
through movement.

Hand Sum (Directed by Eva Colmers, Canada)
Miro moves through life without much conviction until
a magical incident helps her escape her daily routine.

Rules of the Road (Directed by Deborah VanSlet,
Canada)
Rules of the Road is a dance video on hitchhiking ; a
metaphor for the calculated risk. The video
expresses both the exhilaration and the anxiety
associated with taking a chance and breaking out for
parts unknown.

Salomon (Directed by Deborah Kuleff, Australia)
Narrative Dance piece that is a record of a woman's
journey to rediscover her past.

A Two Women One Act (Directed by Vanessa Libertad
Garcia, USA)
A dramatic period piece featuring Latin dance

Magnetized (Directed by Lynn Shelton, USA)
Music video for Laura Veirs

Sea Mammal (Directed by Fiona Cameron, Australia)
An atmospheric dance piece featuring a pregnant woman

Beyond Time (Directed by Passia Pandora, Canada)
"Weaving metaphor into dance, filmmaker Passia Pandora
explores the nuanced world of personal grief."

9 PM: UNCENSORED BODIES LIVE!
With Makiling Ensemble, Myra Beltran and Airdance

April 19 (THURSDAY)
Films by Visual Artists (Curated by Poklong Anading)
Cocoy Lumbao: VANGUARD

Cocoy Lumbao has been involved in video-based art
exhibitions in Manila and is a graduate of the Film
and Audiovisual Program at the University of the
Philippines Diliman. He was one of the students of Big
Sky Mind founder and director Ringo Bunoan and was
also included in the latter’s groundbreaking Satellite
exhibition for the 13 Artists Award held at the
Cultural Center of the Philippines. Lumbao is also a
founding member of the Future Prospects Artists’
Association, along with Mizuki Endo, Louie Cordero,
Cocoy Lumbao and Gary-Ross Pastrana.

April 20 (FRIDAY)
GRAVEHOPPING (Slovenia)
Curated and to be presented by Nika Bohinc, visiting
editor of the 45-year old film magazine Ekran.

Jan CvitkoviÄ? : GRAVEHOPPING (Original title: Od
groba do groba, 2005)
(shown with permission from the director)
Running Time: 103 minutes

Synopsis: Pero is a professional funeral speaker in a
small Slovenian town. His unique gift is to make every
funeral that extra bit special. Pero just can't help
turning his eulogies into witty personal confessions
that bring the grieving crowd to tears for all the
wrong reasons.
At home Pero is busy trying to intercept his father's
frequent but hopelessly inept suicide attempts.
Meanwhile he also seeks to win the heart of local girl
Renata, who bears secrets beneath her innocent blonde
curls. In all his daily fortunes and misfortunes Pero
is assisted by his devote friend and fan Shooki.
Although quite capable of enjoying life, Shooki often
ponders about death and makes his own funeral plans.
The otherworldly Ida has a weak spot for him and makes
sure to cross his path ever more often. It remains to
be seen whether Pero and his companions will succeed
in their search for intimacy and love in the absurd
chaos that is life.

In such a seemingly innocent setting Gravehopping
accumulates force and a dark abyss looms behind every
moment of happiness - and the other way round.
Director Jan Cvitkovic plays with the themes of heaven
and earth, life and death. His characters live on the
edge between the two worlds and they do not always end
up on the side on which they would prefer to be.

Gravehopping link:
Interview with director:
http://www.odgrobadogroba.com/en/novinarska_soba/
*interview conducted by our host for evening, Ekran
editor Nika Bohinc

AWARDS: IFF San Sebastian 2005 award Alatadis for best
first and second film of festival IFF Warshaw award
SEECN for best film by accredited industry
professionals IFF Cottbus Award for Best film, Award
for Best Film by Ecumenical Jury IFF Torino Award
for Best film by Festival Jury, Award for best Script
IFF Ljubljana, Special Jury Mention Award Slovene
Film Festival Portorož 2005 Award for the best
Slovene film 2005, Awards for best side actor and
actress IFF Spirit of fire 2006 Khanty Mansisk
Silver Tayga second best film Award, Award for most
impressive film scene IFF Sofia, No Man's Land Best
Balkan Film Award IFF Festroia Setubal, Silver
Dolphin Award second best film, Award CICAE IFF Pali
“ Golden Tower“ best film of the festival IFF Pecs :
award for Best Cinematographer, Award for Best Actor,
Audience Award IFF Torun Special Jury award, Award
Zygmund Kaluzynski - for most extraordinary scene in
film IFF Nordeliijk: Student Jury Award Slovenian
candidate for Oscar Award for foreign language film

April 21 (SATURDAY)
FIRST FILMS by
Felinda Bagas: PARA SA KABATAAN (SNEAK PREVIEW)
Pam Miras: REYNA NG KADILIMAN
with UP Film Institute Thesis Productions, selected by
Armi Cacanindin

Sneak Preview: Para sa Kabataan (For the Youth)
Felina Bagas is a Filipina filmmaker, scriptwriter,
video editor and musician whose short films have been
screened locally and abroad. She dedicates the work to
“all the poor children of the Philippines who struggle
everyday so they could get an education” and to “those
who continue to fight for real freedom”.

Reyna ng Kadiliman (Queen of Darkness)
Pam Miras is a writer and a segment producer for
television. She graduated with a film degree at the
University of the Philippines College of Mass
Communications in 1999, the same year she completed
her first short feature “Reyna ng Kadiliman”.This film
won several awards in 2000, including the First Prize
for the Short Feature Category of the 13th Gawad CCP
Para sa Alternatibong Pelikula and the 23rd Gawad
Urian Award for Best Short Film.
Read More »

Saturday, March 31, 2007

Mag:net Schedule in April 2007

Mag:net in April 2007

Mag:net Schedule of Events
April (and first week of May) 2007
www.magnet.com.ph

Exhibitions:
Mag:net Gallery Katipunan
…Until 11 April Lea Lim: Sometimes It's Just Too Quiet
13-28 April Robert Langenegger: A.M.D.G. (Hitting T-birds While Stoned)

Mag:net Gallery ABS
3-24 April Paolo Martinez: Pathetic Doggy Paddle

Mag:net Gallery Paseo
…Until 4 April Rock Drilon: Recent Paintings
11-21 March Five Stories: Pablo Biglang-awa, Bong Brillante, Mark Gary,
Pete Jimenez, Arnold Limjoco,
24 Apr- 12 May Bembol de la Cruz: Accidental Abstraction

Poets' Alcove @ Mag:net Café Katipunan
2-30 April Cesare Syjuco: Matter Matters

CR Gallery @ Mag:net Café Katipunan
2-30 April Amy Aragon:

Mag:net Café Performances (9PM, Monday to Saturday)
April 2007
2 (Mon) Los Chupacabras (with Poetry Reading featuring Gemino Abad,
Alfred Yuson, Allan Pastrana, Conchitina Cruz, Marne Kilates, Ken
Ishiwara, Lour de Veyra, Darwin Chiong, Lope Cui Jr., Pancho
Vllanueva, Mookie Katigbak)
3 (Tue) Nyctinasty / Mingoes and more…
4 (Wed) Makopa / Helen and more…
5 (Thu) CLOSED
6 (Fri) CLOSED
7 (Sat) CLOSED
9 (Mon) Yoni Productions (An all-girl bands Night): Death by Tampoon,
Wake up your seatmate, Nicty Nasty... and more…
10 (Tue) Updharma Down / Paramita / Swissy
11 (Wed) Uncensored Bodies Live! Bo Razon feat Jay Cruz, Dancing
Wounded
12 (Thu) Silly People's Improv Theater (SPIT)
13 (Fri) Blue Rats
14 (Sat) Campusition Night : Wake up your seatmate / Mat / Makopa /
Milestone and more…
16 (Mon) Mat and Friends…
17 (Tue) Ramones Tribute Night: Bandang / Ciudad / Wildmoodswings /
The Pin-up Girls /
18 (Wed) Uncensored Bodies Live! Makiling Ensemblefeat Myra Beltran,
Air Dance
19 (Thu) Silly People's Improv Theater (SPIT)
20 (Fri) S.A.B.A.W. Presents "Conductors of the Pit: Sound Artsists vs
Video Artists" (Curated by Tengal)
21 (Sat) ( Pleaseplease Production) Dance Night
23 (Mon) Working Stiff
24 (Tue) Snakecharmer and more…
25 (Wed) Uncensored Bodies Live! Cynthia Alexander feat Myra Beltran,
Air Dance
26 (Thu) Silly People's Improv Theater (SPIT)
27 (Fri) Radioactive Sago Project / Wahijuara + Poetry Reading
28 (Sat) Jess Santiago
30 (Mon) Suteyeview / Formula Juan / Sideshow / Gene Pool and more…
(1-5 May 2007)
1 May (Tue) Updharma Down / Paramita / Swissy
2 May (Wed) Niko Maca+Playground and moro…
3 May (Thu) Silly People's Improv Theater (SPIT)
4 May (Fri) Blue Rats
5 May (Sat) Campusition Night: Wake up your seatmate / Mat / Makopa /
Milestone and more…

Mag:net Café Cinekatipunan (Screening starts at 5:30PM, Monday to
Saturday)
April 2007
2 (Mon) Elli Safari: The Noble Struggle of Amina Wadud (Documentary)
3 (Tue) (From Conrado's Cabinet) MAN RAY: PROPHET OF THE AVANT-GARDE
4 (Wed) Carl Th. Dreyer: PASSION OF JOAN OF ARC
5 (Thu) (CLOSED)
6 (Fri) (CLOSED)
7 (Sat) (CLOSED)
9 (Mon) MADE IN TAIWAN:
Wi Ding Ho
Tommy Yo
Tommy Lin
10 (Tue) SINEKALIKASAN: Environmental Documentaries
Presented by Lisa Ito (Kalikasan Center for Environmental Concerns)
Sigaw ni Longinus
and more…
11 (Wed) 6PM UNCENSORED BODIES
A Dance On Screen Series
Lyle Sacris
Mark Gary and Denisa Reyes
JP Carpio
Ruelo Lozendo
With JAY CRUZ of Dancing Wounded – Contemporary Dance Commune
Performance
12 (Thu) MOMENTARIES
The Films of JP Carpio
BUNKER 0: SUMIRIB PLUS
VTR
TAKO (cue)
13 (Fri)) CHABET'S CHOICE
14 (Sat) CAMPUS-BASED FILMS:
De La Salle University
16 (Mon) Asian Dance Films
Hitchiking (Korea)
Wall (Malaysia)
17 (Tue) Ron Magbuhos Papag: FETAD! People's Theatre Cordillera (65
mins, 2007)
18 (Wed) 6PM UNCENSORED BODIES
A Dance On Screen Series
Carlitos Siguion-Reyna
Paul Morales
Romeo Candido
Keith Sicat
with MYRA BELTRAN, AIR DANCE performance
19 (Thu) Films by Visual Artists
Cocoy Lumbao: VANGUARD
Curated by Poklong Anading
20 (Fri)) Alexis Tioseco Program
21 (Sat) FIRST FILMS
Felinda Bagas: PARA SA KABATAAN (SNEAK PREVIEW)
Pam Miras: REYNA NG KADILIMAN
with UP Film Institute Thesis Productions selected by Armi Cacanindin
23 (Mon) Asian Dance Films (Presented by Merv Espina)
24 (Tue) SINEKALIKASAN: Environmental Documentaries
Presented by Lisa Ito (Kalikasan Center for Environmental Concerns)
Agos
On Potok
Green Guerillas
25 (Wed) 6PM UNCENSORED BODIES
A Dance On Screen Series
Sari Dalena
Kristine Mariel Icban and Carmi Garcia Raymundo
Paul Morales
Romeo Candido
with MYRA BELTRAN, AIR DANCE performance
26 (Thu) Milo Sogueco and Peter Chua: SHORT FILMS
EROPLANO
BUWAN
ARAW
27 (Fri)) REEL REGGAE Program
(Presented by Merv Espina)
HARDER THEY COME
28 (Sat) Jess Santiago: A VILLAGE IN THE MAKING
A video report on song as venue for developmental education and
people's advocacy in Okinawa, Chiang Mai, and Yogyakarta
30 (Mon) TAIWAN and KOREA
Hey Jimmy! (Taiwan)
For the Peace of All Mankind (Korea)
Sara Jeanne (Korea)
(1-5 May 2007)
1 May (Tue) May-Day Productions: PROLETARYADO / ST Exposure: THERE'E
BLOOD IN YOUR COFFEE
2 May(Wed) Raya Martin and John Torres: SHORT FILMS (Bakasyon / Life
Projections / Long Live Philippine Cinema! / Tawid Gutom / Salat
Kung Paano Kita Liligawan nang Di Kumakapit sa Iyo / Gabi Noong Sinabi
ng /
3 May (Thu) PULANG SINE Program
4 May (Fri) Elvert Banares: Gemini / Astrangian / Plema / Sundulan ng
Pagrahuyo sa Dambana ng Sirenang Walang Ulo
5 May (Sat) CAMPUS-BASED FILMS: UP Film Institute- Experimental Films
(selected by Yason Banal)

Mag:net Café Poetry Readings in April
(Note: Poetry Readings are regularly scheduled on the first and third
Mondays of the month and usually start at 7PM)
2 April With Gemino Abad, Alfred Yuson, Allan Pastrana, Conchitina
Cruz, Marne Kilates, Ken Ishiwara, Lour de Veyra, Darwin Chiong, Lope
Cui Jr., Pancho Vllanueva and Mookie Katigbak. A musical gig by the
poets band, Los Chupacabras follows.
16 (Mon) Line up to be announced. A musical gig by the upcoming young
songwiter, Mat follows.
27 (Fri) Line up to be chosen by Lourd de Veyra. Readings in between
performances of the bands Radioactive Sago Project and Wahijuara

For addresses, Tel nos and directions click here:
http://www.magnet.com.ph/map.htm
Read More »

Wednesday, March 28, 2007

PULANG SINE @ Cinekatipunan

On March 29, 2007, the activist multi-media collective
Southern Tagalog Exposure will be facilitating the
"Pulang Sine" Program of Mag:net Café's Cinekatipunan.

Pulang Sine
will feature two documentaries produced by ABC 5's
news and public affairs program, Frontlines.

"State of War," which aired in July 24, 2006 in time
for Gloria Arroyo's State of the Nation Address, shows the
kind of counter-insurgency operations the Armed Forces
of the Philippines is implementing other the
administration' s "all-out-war" policy.

The other documentary which was aired in August 23,
2006, focuses on the operations of the "shadow" government
run by the National Democratic Front in Bicol. It also
featured "underground" filmmakers under the NDF-Bicol
tri-media group ISNAYP.

As part of the program, there will be an open
discussion on "changing the face of revolutionary
films" or how underground/ subversive
cinema has evolved since the time of the Marcos
dictatorship. Guest speakers include Roland Tolentino,
Nick DeOcampo and Bonifacio Ilagan.

PULANG SINE @ Cinekatipunan
The program will start at 5:30 pm. The
screening is FREE, though viewers are encouraged to
make voluntary contributions for the honoraria of the
featured filmmakers. For questions or comments about
Cinekatipunan write to sinag_haraya@yahoo.com.
Read More »

Monday, March 26, 2007

This Week @ Cinekatipunan March 26-31

THIS WEEK AT CINEKATIPUNAN
March 26- 31, 2007

Mervin Espina opens the week with the South East Asian
program, featuring six short works by Malaysian
independent filmmaker and writer Amir Muhammed. Sine
Patriyotiko presents their winning entry to last
year’s Gawad CCP Para sa Alternatibong Pelikula
[Documentary Video] awards, Mula Third Avenue Hanggang
Dulo.

Wednesday’s treat is a back-to-back screening of short
works by young acclaimed filmmakers Raya Martin and
John Torres, followed by a screening of compelling
television documentaries on the insurgency and counter
insurgency war to be presented by Southern Tagalog
Exposure on Thursday. Friday the 30th is Elvert de la
Cruz Banares’ day, with eXtermination2, a marathon of
his short works.

Mag:net caps the month of March on Saturday with an
arsenal of short experimental works by campus-based
filmmakers from KALAYAAN College and the College of
St. Benilde (curated by Jay Ticar and Elvert Banares).

Held Mondays to Saturdays at Mag:net Café Katipunan,
Cinekatipunan screenings start at 5:30 PM.
While the film screenings are free, viewers are
encouraged to make voluntary contributions for the
honoraria of the featured filmmakers. For questions or
comments aboutCinekatipunan write to
sinag_haraya@ yahoo.com.

Cinekatipunan programs precede Mag:net Café's nightly
holding of Live Performances by well-known and
emerging bands and musicians. Mag:net Café is located
along Katipunan Avenue (fronting Miriam and Ateneo) in
Quezon City. For more inquiries please call 9293191 or
visit www.magnet.com. ph.

26-31 MARCH PROGRAM

March 26 (Monday)
Malaysian Mondays: East Asian and South East Asian
Program (Curated by Mervin Espina)
Amir Muhammad's
6shorts (+ 1)
LOST (2002, 9.5 min) | FRIDAY (2002, 8 min) | MONA
(2002, 6.5 min) | CHECKPOINT (2002, 7 min) | KAMUNTING
(2002, 15 min) | PANGYAU (2002, 12.5 min)
+ 18MP (2006, 14 min)

March 27 (Tuesday)
Sine Patriyotiko: MULA THIRD AVENUE HANGGANG DULO

A documentary on the lives of three members of a youth
gang, their angst and conflicts, their wars and
struggles, their damnation and eventual freedom. 1st
Place. Documentary Video Category, Gawad CCP Para Sa
Alternatibong Pelikula 2006

SIPAT [Sine Patriyotiko] is a non-profit media group
that organizes the production, distribution and
exhibition of independent audio-visual presentations.
“Sipat,” a Filipino term, means to look while aiming a
target. www.sipat.tk

March 28 (Wednesday)
Raya Martin and John Torres: SHORT FILMS

Shorts by Raya Martin:

BAKASYON [2004, 16mm, 12 mins]
A young girl from the city is left to the care of her
grandmother in the province. During her stay, the girl
learns about her grandmother’s mysterious identity.

LIFE PROJECTIONS [2006, DV, 4 mins]
“A video wants to be a film, as the world’s second
biggest oil spill just happened in the heart of the
filmmaker…A large group of Filipino film makers
responded with a short film to a disastrous oil spill
in their island nation. This talented film maker
instinctively avoided a political pamphlet and went
straight for the emotional core of the matter. He
found that core in his heart, as he writes himself.”
–Gertjan Zuillhof, International Film Festival
Rotterdam

LONG LIVE PHILIPPINE CINEMA! [2007, 16mm, 6 mins]
Mother Lily is a Filipino Chinese producer who
monopolizes the local film industry. And the only way
to keep Philippine Cinema alive is to kill her. “Yes,
a cinema to be proud of, yet the cheer is full of
irony. The history of Filipino film isn’t treated with
so much respect…. A burlesque, harsh satire about the
mistress of Philippine film production, the
Chinese-Filipino producer Mother Lily. She is hated
and feared, but nobody can get round her. Fortunately
this young film maker has thought up an adequate
solution to keep Philippine cinema alive. Mother Lily
is not a metaphorical invention. She really exists -
for now.” –Gertjan Zuillhof, International Film
Festival Rotterdam

Shorts by John Torres:

TAWIDGUTOM is an experimental love poem/monologue
composed of images that recur and repeat themselves.
The narrator reminisces on a relationship and
anticipates meeting his love again, both with
trepidation and excitement. SALAT is composed of
several vignettes that are like snap-shots of urban
life, juxtaposed once again with images of love,
friendship and everyday life. In THE LAST SHERBET,
street kids savour ice cream. LUNAR PLAY is a short
elegy for Portuguese footballer Miklos Feher
(1979-2004), while ELLIPSIS, KULOB, AND LUNAR PUNCH is
a triptych in which the narrator muses on hope and the
persistence of the spirit to want to carry on, against
the background of a relationship that has quietly
ended. KUNAP PAAANO KITA LILIGAWAN NANG DI KUMAKAPIT
SA IYO? is an experimental film composed of rapid
cuts, digitised images,snippets of urban and rural
landscapes that are placed against a running poem,
often premised by the film's title – how can I court
you without ever holding you? -- but this rhetorical
question is addressed as much to a lover unseen as it
is to inanimate objects and to the world around the
poet/narrator.

Also by John Torres:

Gabi Noong Sinabi ng Ama Ko (Night When Father Told
Me)
Father writes his confession. Son goes away and
buries his hero. He plays the flute for a
funeral/dance of beating drums, meets Chance and
achieves a rebirth of meaning and purpose. Son: "I
cannot put into words how much contempt and love I
feel for you right now."

March 29 (Thursday)
Southern Tagalog Exposure: PULANG SINE Program

March 30 (Friday)
eXtermination2 : Four Films by ELVERT de la Cruz
BAÑARES
• Ang Bayan Kong Payapa (4 min)
This is the state of the nation cycle. (Originally, a
2-channel video installation for an exhibit, the work
was re-edited for usual screening pleasures.)
• astrangiam
(7min) Mind over matter. Perception over fact. Life
over death. Shot in Casio Exilim EX-53 still camera,
'astrangiam' meditates on the relationships and
parallelisms of time, spontaneity, assumptions, dreams
and elements of nature.
• Gemini (8 min)
A diptych film – visual experimentation of 16mm found
footages, scratching, etching and punching holes on
the actual film – with each color of the film strips
soaked in different concoctions and buried in sand.
• Plema [Phlegm] (22 min)
Motivated by emotional turmoils and day-job related
exhaustion, the filmmaker creates this video letter to
his VIDPREP (Video Experimentation) class with hopes
to help exorcise personal demons. Recording on used
tapes and utilizing current illness, this
semi-autobiographic al video metaphorically structures
a visual collage of the filmmaker's wants, desires and
lamentations, strongly hinting of his retreat (or is
it escape?) from urban chaos and his complete
submission to creative freedom.
Plus
• Sukdulan Ng Pagrahuyo sa Dambana ng Sirenang Walang
Ulo
[The Zenith of Seduction at the Altar of the Headless
Mermaind] (12 min)
Poetry on video tackling themes of innocence, vices
and self-destruction. Shot in 1993 and re-constructed
in 2006. [Philippine Premiere]

Elvert de la Cruz Bañares is a filmmaker, curator,
educator and multi-media artist. His films have been
screened in underground film festivals in the United
States, Australia, Canada, Singapore and Japan. He
curated first time Filipino programs for the
'Queerfest: Vancouver Gay & Lesbian Film Festival' and
the 'Antimatter Underground Film & Video Festival' in
Victoria, Canada. He has, by far, written, produced
and directed 43 shorts (he calls them his "little
low-budget films"). "Gemini" is the only Filipino Film
in Official Selection at the Antimatter Underground
Film Festival 2004 in Canada and was presented as an
installation at the Daejon Museum of Art in South
Korea in 2005. Twice he was sent as Philippine
Delegate to Filipino film festivals in China
(Beijing'05 and Shanghai'06) . He is currently
finishing his two full-length films, 'Alipo-op Sa
Animo' (Fog In The Consciousness) and 'The Atomika
Settlement: Devastation Canvas # 5'. He is the
festival director of eKsperim[E]nto Festival of Film,
Video & New Media and the 2006 ASEAN Film Festival (at
The Podium).

March 31 (Saturday)
CAMPUS BASED FILMMAKERS: Works from the KALAYAAN
College Fine Arts Majors
and Multi Media Arts Department of the College of
Saint Benilde
Selected by Jay Ticar and Elvert Banares

Students from the Fine Arts Department of KALAYAAN
College present expressions on video. Shorn of
narrative, the works are visual plays and experiments
on form. CELINE ROQUE compares and contrasts visuals
on sex and religion on digital (experimental, 2007).
JAN LUDWIG GO presents INOM, a short experimental work
about the life of a student of the artist/filmmaker,
beginning when the subject decides to consume seven
bottles of beer ( 8 mins, digital, 2006). GABRIEL
ALDECOA, PAOLO MARTINEZ, and AYA CADIZ will also
present more experimental works.

About KALAYAAN College’s Bachelor of Fine Arts
program: The Department is guided by the philosophy
that every person can be nurtured to become an artist.
Although some may have special abilities concerning
art at a very early age, this does not mean that the
practice of art is limited to a few gifted
individuals. Through personal discipline, industry and
excellent training, the beginning student of fine arts
can be developed to become professional artists who
are at the same time responsive to the needs of their
communities.

The College of St. Benilde MultiMedia Arts Department
[Second Batch] presents the works ADAN by Gian Mawo,
SIPHAYO NG PINAKAMAGANDANG PANAGINIP by Rastle Lozano,
KULIGLIG by Jericho Añonuevo, KOSA by Karen Abarca,
DIWATA by Katz Delfin, WHISPERS by JM Qsuiblat, SILA
by Annie Beldia, and NGITI by Love Nakagawa.

About the CSB Bachelor of Arts in Multimedia Arts
(AB-MMA) program: This degree program is the first of
its kind in the country, it combines evolving areas
such as digital media and the Internet with core
skills such as communications, programming, and
graphic design. You harness the power of the latest
digital media technology. It is also recommended for
those who are interested in broadcasting, journalism,
communication arts, new media design and
communications, and other fields using digital
technologies.
Read More »

Friday, March 23, 2007

Lav Diaz's Ebolusyon ng Isang Pamilyang Pilipino @ Cinekatipunan

THIS SATURDAY [MARCH 24] AT CINEKATIPUNAN:
Lav Diaz: Ebolusyon ng Isang Pamilyang Pilipino
(Evolution of a Filipino Family)
(10 hours, 43 minutes)

SCREENING STARTS @ 8 AM and ENDS at around 7 PM

"Ebolusyon is the greatest film about the sorrow of
the Philippines. "
-- Gertjan Zuilhof

"The best film of 2005."
-- Olaf Moller, Bert Rebendahl, Mauro Tumbocon,
Jurij Meden, Philip Cheah, Christoph Huber,
Paolo Bertolin, Alexis Tioseco, Roger Garcia,
Lito Zulueta

Lav Diaz: Ebolusyon ng Isang Pamilyang Pilipino
(Evolution of a Filipino Family) at Cinekatipunan

Cinekatipunan is proud to present Lav Diaz's opus,
Ebolusyon ng Isang Pamilyang Pilipino. The first of
its kind in Philippine cinema history, EBolusyon takes
us on a Pamilyang Pilipino" spans the years 1971 to
1987, a period of turbulence, brutality, complexity.

The years 1971 and 1972 were the height of radicalism
by the Philippine Left, the onset of the
Muslim-Christian strife in the island of Mindanao and
the eventual declaration of Martial Law by dictator
Ferdinand Marcos. From 1964 up to 1985, the Marcos
regime trampled on human rights, institutionalized
graft and corruption in the bureaucracy, and looted
the national coffers. In 1986, a peaceful uprising
called The People's Power Revolution forced Marcos out
of the country ending his dictatorial rule and
installing Corazon Aquino, widow of the murdered Ninoy
Aquino- Marcos' top political foe, as President.

Against this backdrop is the farming family Gallardo,
whose struggle and condition mirrors the marginalized
population of the Philippines; the sector trapped in a
situation not of their own doing, but born from a
system that could not provide proper social services,
and of a feudal culture that only protected and
empowered the status quo. Central to the story are the
disintegration, displacement and dysfunction caused by
poverty, not just to the family unit but, also, to the
individual members. These and other characters form
the cycle of lives that intertwine and interact as the
nation struggles to survive economically, politically,
sociologically and spiritually.

For those who are familiar with Diaz's works,
"Ebolusyon ng Isang Pamilyang Pilipino" is "Batang
West Side I". "Batang West Side" tackled the very same
premise, subject and theme but explored it in a very
different time and milieu-the need to critique the
Filipino, examine his condition, confront his past.
"Batang West Side" dealt with our scars, "Ebolusyon…"
explores the infliction of the wound.

"Ebolusyon…" is eleven years in the making.
Pre-production started in December of 1993 in Jersey
City, and began photography on March 8, 1994 in
Lexington, New Jersey. Production was protracted and
independent; shot only when there was money, and if
the crew and actors were available. The Philippine
shoot started in early 1997 in Gerona, Tarlac, and
culminated early April of 2003 in the majestic
mountains of Itogon, Benguet. More scenes were added
last October and November of 2004.

Post production started February of 2004 and finally
stopped January 31, 2005. Different versions of the
film was already shown in various festivals-The Asian
American International Film Festival of New York 2004
(8 hours rough cut on vhs), The Toronto International
Film Festival 2004 (10 hours on digital beta), The
Rotterdam International Film Festival 2005 and
Goteberg Film Festival 2005 (10 hours 43 minutes.

Ebolusyon garnered the Gawad Urian awards for Best
Picture, Best Screenplay, and Best Production Design
and the Best Picture plum at the .MOV digital
Festival.

In deference to the length of the work Ebolusyon will
be screened at Mag:net starting 8 AM and is expected
to end at around 7 PM. All are enjoined and challenged
to watch the film right from the very start. Viewers
are encouraged to bring along pillows. Breakfast,
lunch and dinner is available at Mag:net Cafe.

Lav Diaz: Ebolusyon ng Isang Pamilyang Pilipino
(Evolution of a Filipino Family) at Cinekatipunan

'Ebolusyon' may trigger a revolution

Posted 08:47pm (Mla time) May 15, 2005
By Lito Zulueta
Inquirer News Service

Editor's Note: Published on page G3 of the May 16,
2005 issue of the Philippine Daily Inquirer.

IN "EBOLUSYON ng Isang Pamilyang Pilipino," Raynaldo
(Elryan De Vera) is rescued as an infant from
abandonment by a mentally unhinged woman, Hilda
(Marife Necisito). She takes him back to her family in

the countryside, where he grows up to witness and
suffer the lot of Filipino farmers: enslavement to the
land, getting caught in the crossfire of political
conflicts and severe displacement. He flees and joins
a mining family in the high lands. In his new world,
he discovers that same plaintive reality of loss,
suffering and dislodgement.

Thus, the thread that connects "Ebolusyon" from Lav
Diaz's previous film, "Batang West Side," is
dislocation and bereavement of place. If the Pinoy cop
in America is fleeing his twisted past as a torturer
in "West Side," Raynaldo represents the victim, the
other end of the torture process. The boy rescued from
the dumps by a deranged woman represents the
derangement inflicted by the warped reality of the
Philippines. He won't be like Jacob sold to slavery by
his brothers and later exalted in Egypt. When Raynaldo
returns to his original foster family toward the end
of the movie, he comes full circle. We know his lot
has not vastly changed; in fact, his foster sisters
bring aid to the communist underground on the sly,
just like when he was a boy, his foster uncle (Pen
Medina) stole guns from the military and sold them to
the communists. But Raynaldo knows there will be no
surprises. He will not come unhinged like his beloved
Hilda who rescued him from the garbage dump when he
was a baby. He will abide by the reality.

Torment and agony

"Ebolusyon" is a powerful movie. Nominated for best
picture in the 28th Gawad Urian of the Manunuri ng
Pelikulang Pilipino, it is a movie that makes us abide
by the torment and agony that is Philippine history in

the last 30 years. It relives the darkness of martial
law, the dilemmas of the Aquino transition and the
bedlam that constitutes the present. The movie
explains much of the horror, the better for the viewer
to confront it.

Of course, some will say that what connects
"Ebolusyon" to "West Side" is its swollen, distended
limits. While "West Side" is five hours, "Ebolusyon"
lasts 10 hours, approximating roughly the time it took

for Diaz to finish it-more than nine years.

Thus, the most distinctive aspect of "Ebolusyon" is
also the most problematic- its chronological conceit.
How could an important movie that is a veritable
contemporary Philippine epic be so liberal with its
narrative length that it risks losing the audience it
seeks to affect and influence?

The answer is that there's so much liberality and
comprehensiveness in the vision of Lav Diaz, that the
audience can take the calculated risk of sitting
through "Ebolusyon," imbibing its spirit that meanders

through the alleys and byways of Philippine history, a
tortuous path that, to critics of the film, may be
reflected in the movie's rather tortuous length.

But "Ebolusyon" is too significant to be dismissed as
a movie that takes its title too literally. It is an
important contribution to world cinema, signaling both
a refusal to be confined to the two-hour limit of
commercial cinema and an embrace of the artistic
potentials of digital cinema, particularly digital's
capacity to release the artist from the servitude and
conventions of the studio system.

The latter is perhaps the other distinctive aspect of
"Ebolusyon"- the adamant, unabashed adoption of digital
cinema, its limits and possibilities. No wonder, Diaz
could hardly care about time. Digital knows no time;
it just goes on and on. It is a technological stream
of consciousness if there was one. It democratizes
image-recording. And you know what St. Thomas Aquinas
says about democracy: it tends toward anarchy.

It's a technology, too, that creates its audience.
Part of the reason Diaz's work is not your ordinary
two-hour movie is that it is not one: it hasn't been
transferred on celluloid, unlike, for example, Laurice

Guillen's "Santa Santita," which was shot on video but
transferred on film for commercial release.
"Ebolusyon" is therefore not meant to be shown in
theaters. It's meant to be seen in video houses, on a
more intimate setting perhaps, in episodic fashion
probably, like the soap opera that is a funny metaphor
that runs through the movie.

No rush

"Ebolusyon" is clearly not for movie marathoners. It
is a movie that is not to be seen in a rush. Doing so
may make one miss its other conceits. The subplot on
the conspiracy to assassinate the filmmaker Lino
Brocka for agitating the farmers in the land reform
question is one delicious hyperbole. Obviously this is
Lav Diaz's tribute to the power of cinema. Or is he
lamenting that Brocka did not live long enough to
trigger the revolution?

To be sure, some of the film's expansive
peregrinations may reach a dead end, especially the
rather distended episode of Kadyo (Pen Medina) when he
leaves prison: after failing to integrate back to
society, he returns to a life of crime and becomes a
hired killer, but balks at the prospect of killing
Brocka. The conspiracy turns against him, and as he
makes his final bloody crawl to his death, we know he
has been making the final gasp at life all along. He
has been a living dead even without the fatal dagger
wound. There's no need to belabor that.

There's also the historical lapse. After Kadyo informs
us that he received word about the whereabouts of
Raynaldo in 1988, we see him wandering into the
Mendiola massacre, which took place in January 1987.

But never mind. "Ebolusyon" is an artistic rarity. A
film like this only comes once in 10 years.

The 28th Gawad Urian, the critics' prize for
filmmaking excellence will be handed out in colorful
ceremonies on June 4 at the AFP Theater in Quezon
City. Produced by the Manunuri ng Pelikulang Pilipino
and APT Productions, the awards will be televised on
GMA-7.

Held Mondays to Saturdays at Mag:net Café Katipunan,
Cinekatipunan screenings start at 5:30 PM.
While the film screenings are free, viewers are
encouraged to make voluntary contributions for the
honoraria of the featured filmmakers. For questions or
comments about Cinekatipunan write to
sinag_haraya@yahoo.com.

Cinekatipunan programs precede Mag:net Café's nightly
holding of Live Performances by well-known and
emerging bands and musicians. Mag:net Café is located
along Katipunan Avenue (fronting Miriam and Ateneo) in
Quezon City.

For more inquiries on Lav Diaz: Ebolusyon ng Isang Pamilyang Pilipino
(Evolution of a Filipino Family) at Cinekatipunan,
please call 9293191 or
visit www.magnet.com.ph.
Read More »

Saturday, March 17, 2007

THE ROMEO CANDIDO MIX TAPE @ Mag:net Cafe's Cinekatipunan

March 16 (Friday)
Romeo Candido: KA-AMULAN and other SHORTS

The ROMEO CANDIDO MiX TAPE (49 mins)
An exploration of culture through music, dance, drama
and media. Features works such as:

1. a sunday in the park (2003) – a Hi 8 video
featuring Rona Figueroa. A beautiful actress, singer,
writer, with Broadway credits and a penchant for
longsword. The music plays a variation of the main
kulingtan theme from the Singkil dance. The work
documents Candido’s experimentation with potential
filmmaking techniques, including cheap in-camera
effects, for an arnis film he was working on for the
last three years.

2. Meditations For the Restless (2001)– Candido’s
first work to explore editing within a static image
and the title track for his first solo E.P. “I was
just learning final cut pro, on my G3, and discovered
freeze frames, 1 frame cuts, dissolves, color grading.
I started at 6 in the evening and finished 6 in the
morning,” he says of this.

3. KUTTIN KANDY (2001)– Candido’s first project
edited with FCP. A feature on Kuttin Kandy, one of the
first and most feared female turntablists in the U.S
and an ate to the thriving Filipino/a hip hop scene.

4. ST JAMESTOWN trailer and excerpt (2004) – A one
hour television pilot about the most ethnically
diverse neighborhood in Toronto Canada, featuring a
cast composed of actual residents from the area and
shot during a time when the neighborhood was
experiencing terrible conflicts between youth and law
enforcement.

5. Fool 4 Love (2007) –Footage from Candido’s first
children’s commercial shot in the Philippines.

6. Lilac Cana (2002) –An exercise in overexposure and
shadows, featuring the Filipino-Canadian artist who
broke into the classical music scene in Toronto in
2000.

7. Snowhere (2007) – A DIY video shot recently during
Candido’s first winter back in Canada in three years.

8. The Kuya Medley (2003) – A docu-musical of the soul
group KUYA performing in the executive offices of
record labels in New York and hustling for a deal.
Despite the undeniable talent, the industry couldn’t
commit to an all-Pinoy soul group. They had many
supporters, from Wycleff, to Babyface, to Pharell, to
Timbaland and beyond. Also an exercise in live music
editing.

9. Purification by Fire (2002) – Members from The
Fiesta Filipina Dance Troupe of Canada backstage
before a performance in Pittsburg. This is an excerpt
from DANCERS! PICK UP YOUR BAMBOOS! a 26 minute
documentary about the history of the oldest Filipino
Folkdance company in Canada.

10. Babylon is Falling Trailer (2001) – a spec trailer
of a martial arts movie that was never, ever made.

11. Lolo’s Child Music Video and excerpt (2001) – The
very first Filipino feature film from Canada, and up
to now, the only one. From Candido’s Ishmael Bernal
award -winning feature length film Lolo’s Child. A
film about dealing with death and domestic violence in
an immigrant home.

12. Ka-Amulan (2002) – An impressionistic piece based
on the kaamulan Filipino folkdance. Another excerpt
from the documentary Dancers! Pick Up Your Bamboos!

13. Ang Pamana : The Inheritance extended trailer
(2006) – This is Candido’s first feature film to be
shot in the Philippines. A supernatural folktale about
what happens when a balikbayan inherits land in deep
dark Bulacan, shot in 35mm dolby digital.

Held Mondays to Saturdays at Mag:net Café Katipunan,
Cinekatipunan screenings start at 5:30 PM.
While the film screenings are free, viewers are
encouraged to make voluntary contributions for the
honoraria of the featured filmmakers. For questions or
comments about Cinekatipunan write to
sinag_haraya@yahoo.com.

Cinekatipunan programs precede Mag:net Café's nightly
holding of Live Performances by well-known and
emerging bands and musicians. Mag:net Café is located
along Katipunan Avenue (fronting Miriam and Ateneo) in
Quezon City. For more inquiries please call 9293191 or
visit www.magnet.com.ph.
Read More »

Monday, March 12, 2007

This Week @ Cinekatipunan

THIS WEEK AT CINEKATIPUNAN
March 12 – 17, 2007

CINEKATIPUNAN opens the week with its South East Asian
Program on March 12, featuring digital short films by
Malaysian filmmaker and theater director James Lee.
Activist audio-visual group SIPAT shows us how it is
to be inside Mendiola’s bowels on Tuesday. Watch new
and experimental works by visual artists Kaloy
Olavides and Manuel Ocampo on Wednesday and Thursday
respectively, while Filipino-Canadian
filmmaker/musician/ performer Romeo Candido offers us a
mix tape featuring 13 of his short works on Friday,
March 16. Kidlat Tahimik closes the week with
critically-acclaime d work on Saturday.

March 12 (Monday)
ASIALunes: East Asian and South East Asian Program
Curated by Mervin Espina

James Lee's
Shorts About Love
GOODBYE TO LOVE (2004, 16 min) A MOMENT OF LOVE
(2005, 10 min) BERNAFAS DALAM LUMPUR (2005, 18 min)
SOMETIMES LOVE IS BEAUTIFUL (2005, 12 min)

March 13 (Tuesday)
SIPAT: Mendiola (31 mins)

From the First Quarter Storm in the 1970s to the
Mendiola massacre in 1987 to the state’s Calibrated
Preemptive Response policy two years ago--from the
very start, the road to Mendiola has cradled the very
centers of conflict. This work is a documentary about
Mendiola’s significance as a symbolic and actual site
of struggle, the stretch of road a tug-of-war for the
Palace several hundred meters away. Treading through
Mendiola is still a great risk, but a necessary one
nonetheess, for to look directly at the eye of the
storm is to have the strength to confront those in
power. On the road to Mendiola, one can tread across
the history of a peoples’ continuing struggle for
change.

March 14 (Wednesday)
Films by Visual Artists
Kaloy Olavides: DIRECTORY (Curated by Poklong Anading)

Directory is a two-piece work yet which is
interdependent on each other. The first of the piece
is a video projection of a hand with a pen writing an
instruction. The video is shot in slow motion, running
approximately for 40 minutes. The other half of the
work can be seen after the whole video will be
screened.

DIRECTORY is a critique directed at artworks that are
bound only to the place where they stand or are put
in. An example is that most paintings are treated
according only to the boundaries of the image inside
the canvas. It’s idea is to go beyond the piece; thus
creating a new set of pieces but which, conversely,
rely on each other.

March 15 (Thursday)
Manuel Ocampo: Manuel 's Selective Up-chunks

March 16 (Friday)
Romeo Candido: KA-AMULAN and other SHORTS
The ROMEO CANDIDO MiX TAPE (49 mins)
An exploration of culture through music, dance, drama
and media. Features works such as:
1. a sunday in the park (2003) – a Hi 8 video
featuring Rona Figueroa. A beautiful actress, singer,
writer, with Broadway credits and a penchant for
longsword. The music plays a variation of the main
kulingtan theme from the Singkil dance. The work
documents Candido’s experimentation with potential
filmmaking techniques, including cheap in-camera
effects, for an arnis film he was working on for the
last three years.
2. Meditations For the Restless (2001)– Candido’s
first work to explore editing within a static image
and the title track for his first solo E.P. “I was
just learning final cut pro, on my G3, and discovered
freeze frames, 1 frame cuts, dissolves, color grading.
I started at 6 in the evening and finished 6 in the
morning,” he says of this.
3. KUTTIN KANDY (2001)– Candido’s first project
edited with FCP. A feature on Kuttin Kandy, one of the
first and most feared female turntablists in the U.S
and an ate to the thriving Filipino/a hip hop scene.
4. ST JAMESTOWN trailer and excerpt (2004) – A one
hour television pilot about the most ethnically
diverse neighborhood in Toronto Canada, featuring a
cast composed of actual residents from the area and
shot during a time when the neighborhood was
experiencing terrible conflicts between youth and law
enforcement.
5. Fool 4 Love (2007) –Footage from Candido’s first
children’s commercial shot in the Philippines.
6. Lilac Cana (2002) –An exercise in overexposure and
shadows, featuring the Filipino-Canadian artist who
broke into the classical music scene in Toronto in
2000.
7. Snowhere (2007) – A DIY video shot recently during
Candido’s first winter back in Canada in three years.

8. The Kuya Medley (2003) – A docu-musical of the soul
group KUYA performing in the executive offices of
record labels in New York and hustling for a deal.
Despite the undeniable talent, the industry couldn’t
commit to an all-Pinoy soul group. They had many
supporters, from Wycleff, to Babyface, to Pharell, to
Timbaland and beyond. Also an exercise in live music
editing.
9. Purification by Fire (2002) – Members from The
Fiesta Filipina Dance Troupe of Canada backstage
before a performance in Pittsburg. This is an excerpt
from DANCERS! PICK UP YOUR BAMBOOS! a 26 minute
documentary about the history of the oldest Filipino
Folkdance company in Canada.
10. Babylon is Falling Trailer (2001) – a spec trailer
of a martial arts movie that was never, ever made.
11. Lolo’s Child Music Video and excerpt (2001) – The
very first Filipino feature film from Canada, and up
to now, the only one. From Candido’s Ishmael Bernal
award -winning feature length film Lolo’s Child. A
film about dealing with death and domestic violence in
an immigrant home.

12. Ka-Amulan (2002) – An impressionistic piece based
on the kaamulan Filipino folkdance. Another excerpt
from the documentary Dancers! Pick Up Your Bamboos!
13. Ang Pamana : The Inheritance extended trailer
(2006) – This is Candido’s first feature film to be
shot in the Philippines. A supernatural folktale about
what happens when a balikbayan inherits land in deep
dark Bulacan, shot in 35mm dolby digital.
March 17 (Saturday)
Kidlat Tahimik: TURUMBA

Turumba (1984)
Set in a tiny Philippine village, Tahimik's Turumba
focuses on one family which traditionally made
papier-mache animals to sell during the Turumba
religious festivities. When they get a huge order, the
whole life of the family is changed, as Tahimik wryly
observes the "creation of the proletariat. "

Perfumed Nightmare (1977)
The story of the filmmaker's awakening from his long
nightmare, the lotus land of a third world naif's
entrancement by the promises of American technological
society.

Held Mondays to Saturdays at Mag:net Café Katipunan,
Cinekatipunan screenings start at 5:30 PM.
While the film screenings are free, viewers are
encouraged to make voluntary contributions for the
honoraria of the featured filmmakers. For questions or
comments about Cinekatipunan write to
sinag_haraya@yahoo.com.

Cinekatipunan programs precede Mag:net Café's nightly
holding of Live Performances by well-known and
emerging bands and musicians. Mag:net Café is located
along Katipunan Avenue (fronting Miriam and Ateneo) in
Quezon City. For more inquiries please call 9293191 or
visit www.magnet.com.ph. ###
Read More »

Friday, March 09, 2007

SURVIVING BEIJING @ Cinekatipunan, March 19, 2007

documentary by Lam Li
SURVIVING BEIJING
March 19, 2007
Held Mondays to Saturdays at Mag:net Café, Katipunan Avenue
Cinekatipunan screenings start at 5:30 PM.
For more inquiries please call 9293191 or visit www.magnet.com. ph.

SURVIVING BEIJING
(Lam Li 2005 Documentary Malaysia-China 85 mins)
Language: Mandarin
Subtitles: Chinese & English

Dedicated to the Huang Ho label, pioneers of Malaysian Chinese independent music, the documentary traces the group's infamous trip to China to find international recognition- -only to return disillusioned.

Surviving begins as they set off from Kuala Lumpur to Beijing in the autumn of year 2000, and tracks their one month experience living illegally in a place known as the Rockers' Village in the outskirts of Beijing—an erstwhile farming village once considered as the base of aspiring Chinese underground musicians, who led alternative lifestyles and dedicated their lives to making music with a strong social and political bent.

Seeking performance opportunities in shabby pubs and bars, struggling to make an impression while adapting to the alien environment where speaking the same language does not necessarily translate to understanding, their musical quest in the name of the independent spirit quickly turns into a baptism of fire and a test of friendships. The film also examines the impact the month-long Beijing escapade had on the development of the Malaysian Chinese independent music scene.

A crowd favorite in several film and music festivals in Singapore and Taiwan, including "Urban Nomad Film Festival 2006", "Shooting Left Asia Film Festival 2006" and "Spring Scream Music Festival 2006," this documentary has even made its way back to China through a series of nationwide screenings organized by Chinese rock band Miserable Faith and independent film producer, Sun Zhi Qiang.

Special thanks to Mak Wai Hoo of Soundscape Records for making the Cinekatipunan screening possible. This film will be a preceded by NAO, a short documentary on a militant young Malaysian band that has “a voice with the critical precision of a surgeon’s knife.”
http://myspace.com/isnao
http://www.soundscape-records.com/nao/
Read More »

Wednesday, March 07, 2007

This Week @ Cinekatipunan

THIS WEEK AT CINEKATIPUNAN
Monday to Saturday, March 5-10, 2007

This week’s Cinekatipunan features an eclectic mix of
foreign and local, full-length and short works. The
selection kicks off on Monday with the work Cries and
Whispers by Swedish film-maker Ingmar Bergman on
Monday. Tuesday, KODAO Productions features a short
documentary produced during the 2005 Hong Kong
demonstrations against the World Trade Organization.

Wednesday delves into art and fashion with a work by
German filmmaker Wim Wenders on Japanese fashion
designer Yohji Yamamoto on Wednesday. Mia Buenaventura
features her short films Gantsilyo and Leon on
Thursday while Emman dela Cruz features his
directorial debut Sarongbanggi on Friday. Saturday’s
program on campus-based film-makers features student
works from the Fine Arts Department of Kalayaan
College, selected by visual artist and teacher Jay
Ticar, and the Multi Media Arts Department of the
College of Saint Benilde, selected by teacher,
filmmaker, and Eksperimento film festival director
Elvert Banares.

5 March (Monday)
Ingmar Bergman: CRIES AND WHISPERS

Cries and Whispers
(1972, Sweden, 91mins)
Ingmar Bergman's dream play is set in a manor house at
the turn of the century where a spinster in her late
30s is dying. Her two sisters have come to attend her,
and they watch and wait, along with a peasant servant.
The movie is built out of a series of emotionally
charged images that express inner stress, and Bergman
handles them with the fluidity of a master. Superbly
photographed by in a style suggesting Edvard Munch,
and with blood-red backgrounds, the film is smooth and
hypnotic; it has oracular power and the pull of a
dream. Yet there's a 19th-century dullness at the
heart of it. Each sister represents a different aspect
of woman—woman viewed as the Other—and the film
mingles didacticism with erotic mystery.

6 March (Tuesday)
TUDLA Productions and KODAO Productions

DA DOU SAI MAU (Junk WTO)
January 2006 28:40 mins
(To be presented by Raymund Villanueva)
A documentary on the raging protests that filled Hong
Kong streets against the World Trade Organization' s
Third Ministerial Meeting (2005). Bayan Muna Rep.
Teddy Casino explores Hong Kong and guides us to the
creative protest actions from delegates of different
countries.

KODAO Productions produces and distributes multimedia
and related materials on timely and relevant subjects
to promote the self-determining and democratic
struggle of the Filipino people for cultural,
political and economic development. Kodao produced the
award winning radio program, Ngayon Na, Bayan!, which
was cut off the air upon the proclamation of PP1017 in
February 2006.

7 March (Wednesday)
From Conrado's Cabinet:

Notebook on Cities and Clothes
1991 80 mins Road Movies Filmproduction GmBH
Berlin
German film maker Wim Wenders engages design maverick
Yohji Yamamoto in an articulate dialogue about the
rootless quality of our identities, cities and
fashion. Wenders incorporates a dizzying,nearly
discordant,and highly inventive array of video images
invading, breaking down and blocking out clear, crisp
film shots. The film is both a delightful and
despairing tour through the 20th century systemof
visual language with Wenders as a charming
philosophical guide.

8 March (Thursday)
Mia Buenaventura’ s Short Films

Leon

A 7-minute experimental film that suggests a possible
ending to “The Prodigal Son” parable. The film
centers on the good son and how he resolves sibling
rivalry and sibling jealousy issues. Whereas evil can
turn to good, the good can just as easily turn to
evil. Ronnie Lazaro stars in the leading role.

Gantsilyo

The narrative DV movie tells of a grandmother whose
elaborate knitted creations affect the lives of her
family. Armed with her needles and balls of yarn,
Grandma employs time-weathered wisdom and loving hands
to heal hearts with every stitch. Gloria Romero plays
the lead role.

Mia Buenaventura is no newcomer in the indie movement.
Largely committed to the short film format, she has
done several shorts since college at the Ateneo where
she took up AB Communications. She wrote and directed
“Leon”, in 16-mm format and a Gawad-CCP winner, while
she was at Mowelfund. Her first narrative DV is
“Gantsilyo” starring Gloria Romero. “Gantsilyo” has
been screened at the “Pelikula at Lipunan Festival”
and at the U.P. Film Institute during the “Women
Filmmakers Festival”. The film was a Cinemalaya entry
and currently nominated for best short film in the
Cineaste Film Association of the Phils.’ Annie Awards.
Mia also did several AVPs and past Clients
include Coca-Cola and Gillette Philippines. A new
short film project is lined-up for 2007.

9 March (Friday)
Eman Dela Cruz: SARONGBANGGI

Sarongbanggi (One Night)
04 mins. color/sound NTSC video
An intense encounter between an aging prostitute and a
sixteen-year old boy in a night of seduction,
connections and revelations.

The night begins... A boy is celebrating his sixteenth
birthday with his rowdy group of friends who all agree
- there's no better gift to give him than his first
sexual experience. They book him a night with a
prostitute. The night grows deeper… The boy strikes an
unusual connection with a sensual but older woman.
What starts out casually turns intimate and
surprisingly tender. In this most unusual one night
stand the teenage boy loses his virginity and the more
experienced, toughened woman rediscovers her
vulnerability.

Sarong Banggi features a most memorable and riveting
performance by the luminous Jaclyn Jose, one of the
Philippines' truly great and most awarded actresses
(and who’s iconic fallen woman role in films like
“White Slavery,” and “Private Show” inspired and
informed the role of Jaclyn in this film) and an
exciting star turn by first-time actor Angelo Ilagan.

Written and directed by: Emmanuel A. Dela Cruz
Official Selection: ImaginAsian, New York and Cine
Asia, Barcelona, Spain

10 March (Saturday)
Campus-based Filmmakers
Featuring short works by KALAYAAN College Fine Arts
Majors and students from the Multi Media Arts
Department of the College of Saint Benilde
(selected by Jay Ticar and Elvert Banares)

This Saturday’s first batch from CSB features eight
works: Empathy for Emmanuel by Rafael de Leon;
Unforseen by Jason Confesor; Dalangin by Love
Nakagawa; Abo by Dino Mark Reyes; Sabaw by Anton
Miguel Halagena; Blindness Within by JR Siojo;
Paggising sa Mundong Tulog by Paolo Miguel Lopez; and
Tu(la)ya by Raine Orallo.

Four works produced by third year and second year
students from the Fine Arts department of Kalayaan
College under the Visual Studies and Art Theory class
of Jay Ticar: Sangandaan (2007, 8 mins.), a narrative
work by Gato Borreo about the personal crossroads
faced by a peasant boy: whether to migrate to the city
or to remain in the countryside; an 8-minute narrative
video about a tatoo by Camillo Guanzon; Hand-Droid (8
mins.), a documentary work by Dave Cuenca featuring
the production process of an abstract painting; and a
three-minute animation work by Angelo Alejandro.

Held Mondays to Saturdays at Mag:net Café
Katipunan,?Cinekati punan screenings start at 5:30 PM.
While the?film screenings are free, viewers are
encouraged to?make voluntary contributions for the
honoraria of the?featured Filipino filmmakers. For
questions or comments about?Cinekatipunan write to
sinag_haraya@yahoo.com. ?Cinekatipunan programs precede
Mag:net Café's nightly?holding of Live Performances by
well-known and?emerging bands and musicians. Mag:net
Café is located?along Katipunan Avenue (fronting
Miriam and Ateneo) in?Quezon City. For more inquiries
please call 9293191 or?visit www.magnet.com.ph.
Read More »

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